In this nicely edited video Byron Jacobs explains how the current “MMA vs Kung Fu” phenomena arose in China.
In this nicely edited video Byron Jacobs explains how the current “MMA vs Kung Fu” phenomena arose in China.
We all have blind spots. If you went outside and did your Tai Chi form right now I can guarantee you there’s a bit of it that you’ve never really paid attention to. I don’t mean something big, like a whole movement, but there will be lots of little spots which you’re glossing over your form without full awareness.
Try this as an exercise: Go through your Tai Chi form right now, but as you do each posture pay attention only to the way the joints of the body open and close. But here’s the thing – I’m not saying, make them open and close.
This is a crucial difference. If you try and make them open and close you just end up ruining your form, or being “too physical” as my teacher likes to say. Just use your awareness to be the silent observer of yourself as you do the form. And try and focus that awareness on the way your joints are opening and closing. Pick the easy ones to start with – the shoulder/hip, elbow/knee and ankle/wrist relationships. Try and see if you can maintain awareness of all 3 pairs and how they open and close as you move through the postures. The postures, done correctly, are designed to allow them to open and close – there’s nothing extra you need to add. If that’s too much too mentally juggle at once then just pick one pair to be aware of for the entire length of the form. Shoulders and hips is a good one. There are many more ‘joints’ to be aware of, of course, but that will do for now.
I don’t want to spoil the experience for you, so if you’d like to discover what this training method can do for yourself, then stop reading here and come back when you’ve done it.
Still with me? Ok, let’s go on…
What I find when I do this is that the simple act of being aware of something changes it, without me having to do anything. For me, this exercise highlights the areas of the form that I’ve been glossing over, and from that awareness, a new form begins, one that is more complete and better.
As the great Taoist sage Lao Tse wrote:
Can you coax your mind from its wandering
and keep to the original oneness?
Can you let your body become
supple as a newborn child’s?
Can you cleanse your inner vision
until you see nothing but the light?
Can you love people and lead them
without imposing your will?
Can you deal with the most vital matters
by letting events take their course?
Can you step back from you own mind
and thus understand all things? Giving birth and nourishing,
having without possessing,
acting with no expectations,
leading and not trying to control:
this is the supreme virtue.
In fact, that’s just one example, the whole Tao Te Ching is full of the benefits of this sort of Wu-Wei “non-action”.
These blind spots in your Tai Chi are usually found in the transitions between what we think of as “postures”. The in-between bits. The space between the notes, as the great French composer Claude Debussy famously said, was where the music is found.
This discovery poses an interesting question not only for your Tai Chi, but for your life too. Where are your blind spots? What are you not really paying attention to? I think you know what to do now.
This podcast interview of Mark Chen by Ken Gullette is a real gem. If you haven’t listened to it before I’d really recommend it. It starts with a basic run-through of who taught who and in what order, and who all these people are, but then gets really interesting about halfway through when it talks of some of the more heretical things, like what happened during the utter insanity and madness of the Cultural Revolution in the 1960s. A period which is ignored by almost all Chinese martial artists. It’s just something that is not talked about these days – almost a non-subject, and those non-subjects always fascinate me.
There is also a section on the famous “Peng Lu Ji An” list used to describe the “powers” of Taijiquan, and the characters used. There are also some good thoughts about Taijiquan training and what Taijiquan is really all about. Overall this is an excellent podcast and shouldn’t be missed by anybody.
I’d like to point you to an excellent article by Sascha Matuszak on the Ming Dynasty General Qi Jiguang. In his 1560 book Jixiao Xinshu (“New treatise on disciplined service”), which contains a chapter called “Quanjing Jieyao Pian” (“Chapter on the fist cannon and the essentials of nimbleness”). This chapter is famous because it contains the first written reference to Kung Fu written by a military person.
(You’ll find a translation of the chapter here if you would rather just read the original source material.)
In his article Sascha says:
“There is a lot of speculation as to why Qi Jiguang included martial arts in his military treatise, but it is most likely that several trends converged to make including martial training a sensible thing to do. A few of them would be the rise of taijiquan during the late Ming Dynasty, the superior close combat skills of Japanese pirates, an incredible lack of disciplined, trained Chinese troops, and Qi Jiguang’s own experience training martial arts and developing farmers into soldiers.” – Sascha Matuszak
While I love the article, I’m puzzled by the inclusion of the rise of Taijiquan as a reasoning device for the inclusion of the chapter on kung fu, since 1560 was three hundred years before anybody had even heard of Taijiquan. The great populariser of Taijiquan, Yang LuChan died in 1872.
Interestingly, the chapter written by General Qi does contain references to some things that crop up in Taijiquan centuries later… Does this sound familiar to Yang stylists?
“The Golden Rooster: stand on one leg and cock the head askew.”
“Golden Rooster stands on one leg” is a well known Taijiquan posture.
“The Ambush Crouch posture: it is like using the hunting bow to lie in wait for a tiger;”
I’m thinking of the posture known as “Bend the bow to shoot the tiger”, also found in Yang style Taijiquan.
“Change to a lower position and momentarily take the single whip stance”.
While Qi seems to have a love/hate relationship with Kung Fu, it’s interesting to note that Qi incorporated “Chinese individuals capable of acrobatic performance including boxing instructors and Buddhist monks” into his army to meet the challenge of fighting Japanese pirates, who were much better versed in close-quarter combat skills than uniformed Chinese soldiers.
In chapter 14, he makes criticisms of the existing martial arts of the time as being too specialised, and that by combining them you can cover all bases better. My feeling is that although he does say he engaged in training at Liu Caotang’s Striking Fists school, he’s a military man, an outsider looking at civilian arts he isn’t involved with personally or practices, so you get an interesting perspective.
He’s continually judging what is credible and what is not – something that continues to this day on martial arts forums on the Internet!
We may be reaching the end of the ‘Tai Chi Master vs MMA guy’ phenomena that has lit up the martial arts world in the last couple of years. I mean, how many more old guys do we need to see knocked out to make the point?
In light of the most recent fight, Will of Monkey Steals Peach has interviewed Byron Jacobs, who is deeply embedded in the martial arts world of Beijing, to get a fuller picture of events. I think it gives the most all-encompassing overview of the phenomena, and why it is happening, I’ve heard yet. See what you think:
A new video in the long line running ‘Tai Chi master vs MMA guy’ series got posted the other day. Rather than talk about it here straight away I wanted to see what the reaction was from the martial arts community, and boy, it didn’t disappoint!
This whole MMA vs Tai Chi genre was started by the now-infamous Xu Xiaodong who posted the first video showing what happens when a delusional Tai Chi “master” gets in a fight with an MMA guy.
The qualifications for being a “Tai Chi master” these days seem to be that you have:
1) The backing of Chinese state TV, who will post lots of faked videos of you performing magical martial skills.
2) You have a sufficient number of minions and followers to do you bidding.
3) You look the part (silk pyjamas) and have can talk a good talk about your abilities.
Of course, none of these martial abilities are grounded in reality, so when you get in a challenge match with an MMA guy it usually ends quickly and badly for you. Chinese martial arts, particularly Tai Chi, is the focus of the soft power emanated by Beijing and the hyper-nationalistic Chinese government on the global stage. Therefore, publicly humiliating a Tai Chi “master” doesn’t make the MMA guy very popular in China, and Xu Xiaodong has been badly persecuted – his social credit score is now so low that he can’t even travel on trains and his social media accounts keep being deleted.
After the initial video of Xu Xiaodong surfaced he didn’t let the persecution put him off and he kept calling out the masters boasting of their skills on state TV. Challenge after challenge followed. One involved self-proclaimed Tai Chi/Xing Yi Master Ma Bao Guo who had previously paid a retired cage fighter Peter Irving in the UK to perform in a demo video that made him look good, and was boasting that this video was proof he was the real thing.
In this excellent article, Peter recounts the story behind the video.
Here’s the video:
To anybody that knows anything about fighting it’s obvious that Peter is just feeding attacks to Ma who reacts with some twitching responses. The fact that some people thought this was real says a lot about the mentality of minions and followers.
Xu and Ma’s challenge match was all set to go ahead (and would have ended the same way as all the others) but Ma actually called the police on his own challenge match and it was called off!
But Ma Bao Guo wasn’t giving up. At 69 he recently got in a challenge match with a San Da (Chinese kickboxing) guy who was 20 years younger than him. Here’s the video of Ma Bao Guo vs the San Da guy
As expected, it was a shocking display of ineptitude, and as I said, the reactions of the martial arts community have been interesting. Here are a few of the common responses I noticed:
But then we get to number 7, and this is the one that really gets my goat…..
7. “It says a lot about those that post these clips.”
Aiming your ire at the guy lifting the curtain to show a little old man, not a wizard, behind it is something you’d attribute more to the mad emperor Nero, (who had a habit of shooting dead the bearers of bad news) than the sane and balanced mind of Marcus Aurelius, one of the last ‘good’ emperors of Rome.
The event was done publicly. There were press there with cameras. Ma had clearly arranged for this to be broadcast. And I can bet if (by some miracle) Ma had actually defeated the San Da guy, then heralds of his victory would be celebrated far and wide by everybody who purports to be a Chinese martial artist.
Stop trying to shame people for exposing the bullshit.
You can’t have it both ways. If you do something sportive and public then it remains pubic, regardless of whether you like the outcome. The point of challenge matches is to see what works. Part of the appeal of MMA for me is that it’s on one hand sport, but on the other a long-running public education project about what works in fighting.
I can already feel the voices of those “MMA is not for the street!” guys building as I write this, but you know – screw them. A good answer to that is that if you can’t make your art work with a limited rule set that simulates a real fight as closely as we can make it, how are you supposed to make it work when the other guy isn’t even restricted by those few rules?
San Da, boxing or MMA is a young man’s game. Old masters of whatever martial art it is should really stop trying to engage in it altogether. Putting yourself in a position where you can get knocked out cold at 69 years old is just a terribly bad idea. The implications for what remains of your life are serious. There’s a reason that Muay Thai fighters’ careers usually end in the 20s.
The whole thing was folly.
Ma was delusional for
But human beings are delusional. And in normal life, we can get away with it up to a point because there are no serious consequences. I talked about this in my recent interview on the Martial Arts Studies podcast. My point was that nature is not delusional, which is why the Song Dynasty had such success economically and military thanks to the Li Movement, which aimed to get back to looking at nature for what it is, not what we think it is. That was the point I was making about studying animal methods (that I don’t think my interviewer quite picked up on) that a snake does what a snake does regardless of what human beings think about it, or even better, with no human beings around at all.
Similarly, MMA or San Da or challenge matches bring martial artists into direct contact with nature, or reality, if you like. And sometimes that can be a painful act of recognition.
It should be celebrated, not turned away from. Look it full in the face and learn. As the old martial arts saying goes:
“In martial arts you either win or you learn.”
It’s probably not a good idea to wait until you’re 69 to start learning.
Prof. Paul Bowman of the Martial Arts Studies podcast interviewed me yesterday about various things like this blog, martial arts, the intersection between Xing Yi and BJJ. It was a fun chat because I have known Paul for years and used to be his Tai Chi teacher.
Have a listen:
The San Ti Shi posture is the fundamental standing posture of Xing Yi Quan. You could describe it in terms of angles, vectors and structures, but my interest lies more in reviving the animals of Xing Yi, and trying to move conversations in Xing Yi circles back towards nature and animals.
So, with that in mind, I thought I’d take a look at the 5 animals that make up San Ti Shi in more detail through a few videos that present simple animal routines (linking sequences) that can be easily learned and followed.
The animals of San Ti Shi are (in no particular order):
…and the final element is Thunder Sound.
Let’s look at each one in more detail and what it contributes to the San Ti Shi. Because we’re currently on lockdown I can’t show applications on somebody but I talk about how they would work and show how the moves would work with a sword.
From the Dragon comes the concept of Dragon Body – the counter-rotation in the spine that means you are always ready to produce power. The dragon emphasises loose, relaxed coiling movements.
Eagle is a powerful predator and has the most exaggerated postures of all the Xing Yi animals. Eagle provides the Eagle Claw to San Ti Shi. Eagle and Bear are always practiced together, but this sequence has more emphasis on Eagle than Bear.
Bear provides the concept of Bear Shoulders – a very round structure to the shoulders. Bear is heavy, relaxed and rounded.
The Tiger lends Tiger Embrace to the San Ti Shi posture. This is the feeling of always embracing something. The tiger is a powerful animal, and the linking sequence is fast-paced and full of energy.
The last animal we’ll look at is Ji – Chicken. The chicken provides the Chicken leg quality to San Ti Shi. The ability to keep almost all your weight on one leg and the fast-paced stepping. We combine this with a look at Thunder Sound, since it’s related to the stepping.
I dropped a theory-heavy post about Xing Yi Dragon recently, so I thought it might be nice to do a more practical post about Dragon, and here it is – it’s a nice little routine I do for 5 minutes solidly, it essentially like doing five minutes of squats, so it’s quite hard work!
Excellent article by Ben Judkins on defining martial arts:
“If you asked someone in Beijing what the most important martial arts were in the year 1770 they would likely have said (in the following order) 1) archery 2) riding 3) strength training. Why? These were the specific skills that were tested on the imperial military service exams. It is often forgotten now, but many working martial artists actually made their living coaching students to pass this exam. Wrestling, fencing, boxing and spear work were also widely taught and had their own specialists. But archery was clearly at the apex of martial culture during much of imperial China’s long history. Many more books seem to have been published about archery than fencing or boxing.”