Now we’re a few months/years away from the high point of the Xu Xiaodong controversy it’s good to get a reasonable perspective on the matter from somebody who actually knows him and moves in the same martial arts circles in China.
It’s quite a long talk, but you can think of it like a podcast and listen to it while you’re doing your conditioning exercises. Wait, you are still doing those, right? 🙂
I used to train jiujitsu with Brad back in the day, before he went on to become a UFC fighter, so I’ve known him for years. Brad is retired from the UFC now, but he recently accepted a fight offer from the famous D.K. Yoo, who teaches martial arts seminars all over the world. The fight is scheduled to happen on December 4th on pay-per-view here:
Brad and Joe are flying off to South Korea in just a few days for a boxing match that looks set to make a huge impression on the martial arts scene.
So, let’s find out how it all happened, how Brad’s training is going and what the boys think is going to happen on December 4th.
In this post I want to ask a question. I’m going to give an answer too, so the question is slightly rhetorical, but I think it needs to be asked.
“Why do internal martial artists spend so much of their time criticising each other’s solo forms?”
Let’s break this down – firstly, is this statement true?
I’ll give you one recent example to act as a poof of the statement:
As somebody who has been involved in discussing internal martial arts on the Internet since around the year 2000 I can attest that this happens all the time. In fact, I would say that it’s the majority of the discussion is of this nature.
You don’t need to watch the whole video. It’s long, boring, petty and doesn’t display a particularly high level of etiquette or skill.
It’s essentially one Chinese martial artist ciricising another Chinese martial artists for the same thing over and over, which is sticking his elbow out a bit too much. I know! The horror!
Ok, he probably has a point, but you could easily turn this around and criticise all the mistakes that the tall skinny guy is making too.
The question I have is why did he make this? Why must internal arts people spend all their time criticising each other’s solo forms?
Look at other martial arts – especially the ones that have a sporting side. They don’t tend to do this. MMA people do not do this,
With internal arts it’s an endless debate on degree of uprightness, too much or not enough opening of the kua, level of relaxation, sinking enough or not enough, degree of the knee flextion, etc. The list goes on…
But ok, here’s my caveat. Internal arts are obsessed over these details because they matter. The amount of opening and closing of your kua dictates the amount of power you can produce, and the quality of your movements. The position of your elbow has a direct connection to whether you can produce whole body power or not.
But nobody has the same set of rules that these things are being judged by. In theory, there should be a standard set of rules, but in reality, different styles do things in different ways, and always will. I’m more inclined to think that obsessing over details of solo forms is a bit of a trait of internal arts and less valuable than seeing what a practitioner can do in application/sparring.
The language of internal arts is also based on the same ideas. People go to their Tai Chi teacher to get corrected. The language itself is kind of negative. Nobody talks like this is in sports. You spend time with a good boxing coach and get improved.
I’ve always got time to listen to Tim Cartmell talk about marital arts. In this interview he lays down some common sense about training and tells you what his experience training in Xing Yi and San Da in Taiwan was like in the 90s.
What is Shamanism? And how does it relate to martial arts? In this episode I catch up with my old, friend and teacher Damon Smith to answer some of these questions.
Damon is an incredibly experienced martial artist with a background in various Japanese and Chinese arts including Karate, Kempo, Xing Yi, Baji and Choy Lee Fut. And those are just a few of the arts he’s pursued to a very high level.
But despite being a great martial artist Damon’s true love has always been Shamanism.
And while he’s no stranger to banging a drum, Damon’s shamanism is not the hippy dippy sort of practice you might associate shamans with, instead it’s a very down to earth and practical art, much like the martial arts he does.
In this episode we talk about the link between martial arts and shamanism, and where the crossovers lie.
Byron Jacobs is a teacher of Xing Yi and Bagua based in Beijing, China. He’s a student of the famous Shifu Di Guoyong and is heavily involved in the martial arts scene in Beijing. As well as training traditional martial arts he’s also a BJJ practitioner and competitor.
In this wide ranging discussion we talk about training Xing Yi, Bagua and Tai Chi and whether Wu Shu will ever get into the Olympics. We also find out what it was like to train martial arts in Beijing during the Corona virus pandemic, and what the Chinese BJJ and MMA scene is like.
Warning! It’s long. Over 3 hours, in fact, it’s almost 4 hours long.
The issue of how long a podcast should be is always a contentious one – you hear a lot of people say it should be as long as a commute to work, so 20 minutes to half an hour, but I have no objections to something like this one, which weighs in at over the 3 hour mark. I’m an adult – I can handle the idea of not listening to something all in one go.
Dan has a lot to say about the current state of the UFC, MMA, traditional martial arts, combat sports, capitalism, the old days, growing up and more. It’s quite a run through of various related topics. His thoughts on self defence, violence and the place of MMA in society I thought were particularly interesting.
Dim mak, pressure points, high kicks and nerve strikes! Along with permed hair, styled into a mullet, and blue jeans, these were part of the staple diet of kung fu magazines in the 1980s and 1990s. But pressure point striking quickly became something of a running joke once people found out that it couldn’t be applied in a real fight, you know, when somebody was actually trying to punch your face in, not just when they were standing in front of you passively in the dojo, happily waiting for you to strike their Gallbladder 15 or Lung 4 points.
The reputation of pressure point striking wasn’t helped by the many obvious charlatans peddling their fake pressure point striking systems on DVD and on seminar circuits. These ‘masters’ tended to only demonstrate their skills on their own gullible students, and they rarely seem to work on other people, who hadn’t been brainwashed to think they were the second coming.
But while falling foul of reality, pressure point striking carried on a healthy second life in the fantasy-based genre of martial arts movies. For example, Crouching Tiger, Hidden Dragon had a great scene where one of the fighters is almost instantly paralysed by some quick pressure point tomfoolery until he can be released by yet more pressure point touching.
And in Kill Bill: Volume 2, the late David Carridine famously succumbed to Bak Mei’s legendary 5 point palm exploding heart technique, delivered deliciously by Uma Thurman.
Even as recently as 2021, in the Marvel TV series, Falcon and the Winter Soldier, homage was paid to the pressure point movie trope with a body-popping sequence that made the Winter Soldier’s metal arm suddenly detach from his shoulder and fall to the floor with a clank, turning him from super soldier into one-armed bandit with one simple cheat code.
However, if you ignore the mystical nonsense surrounding pressure point striking you’ll find that it is actually based on some pretty sound scientific principles. In a recent UFC 252 match Anthony Smith seemed to paralyse Jimmy Crute’s leg with a well-delivered calf kick.
After the kick, Crute’s leg seemed to be unable to function in a way that was almost comical. Crute bravely tried to fight on, but his leg was so unusable after the strike that the ring doctor waved the fight off when he was unable to walk in a straight line properly between rounds. I’m sure I heard Pak Mei chuckle quietly to himself in his grave when it happened.
So how was this possible? The answer lies in nerves.
As orthopedic surgeon Dr Lucius Pomerantz explains, on his YouTube channel, the phenomenon is called Drop Foot, and it’s what happens when the peroneal nerve sustains an injury. “When a nerve does not work the muscles that it innervates do not receive messages from the brain. When the peroneal nerve is injured the muscles that raise the foot at the ankle do not work – the foot drops down. Simply walking can be extremely difficult without the ability to raise the foot.”
So, there you have it. A pressure point strike achieved via a calf kick in MMA! I’m glad pressure points are making a comeback, and I hope we’ll see more of them in the future.
I just hope the permed mullet doesn’t make a comeback as well.
I’m going to have a bit of a rant today, so bear with me.
I read this quote today:
“Why should everything always be measured by competition MMA standards? Rules and protections so people won’t get hurt, judges, mats, doctors standing beside the ring, and months for the people to prepare before a fight… So those are the standards of “high level fighting”?
That quote sums up what’s wrong with the attitude of a lot of people in the Tai Chi world. Now, don’t get me wrong. I tend to agree with his idea that not everything should be judged by MMA standards. There are lots of reasons to do a martial art, and it doesn’t all have to be about competing in a ring, but then he immediately loses the plot by claiming that MMA is safe, tame or sanitised, compared to the real martial art that he practices. This idea that his art is too deadly for the ring is as old as the hills. People have been using it as an excuse ever since the UFC was created. And we particulary hear it from internal martial artists – usually Tai Chi people. And despite it being obvious nonsense, it never seems to go away.
People who talk like this simply don’t know what they’re talking about, so I really should just ignore him and go and do something more interesting instead, but just for my own sanity, let me flesh out why he’s wrong.
MMA at all levels, but particularly the professional level, is ridiculously dangerous. People die, and they’re doing it for your entertainment and crappy wages. I like to watch MMA as a form of entertainment as much as anybody else who practices martial arts as a hobby, especially if I know who the fighters are and have been following them for a while. There are moments of brilliance that get pulled off in the cage, and they’re astonishing to see. To see one person successfully implement a fighting strategy against another and for it to work is as much a triumph of brain as it is of brawn. As with all sports, there are rare moments of pure drama that happen in the cage that cannot be replicated even in the highest levels of theatre.
If you’re a jiujitsu fan then there’s the added bonus of seeing your favourite grapplers transition to MMA to see if they can work their wizardry in the cage with the threat of punches added. Ryan “The wizard” Hall is one of my favourite fighters for this very reason:
But there’s also a lot about the sport I don’t like – I hate the way fighters keep hitting their opponent’s head after they have gone unconscious. I hate how much punishment the referees sometimes let the fighters take before waving the bout off. The weight cutting is ridiculous and dangerous. I don’t like watching violence for the sake of violence. But most of all I don’t like the fact that these people are putting their health and, let’s be honest, their lives, on the line for not a lot of money when compared to other sports that have similar viewing numbers, but don’t have anywhere near the same risk. No professional MMA fighter is getting out of the game unscathed. The effects of repeated blows to the head in competition or training often only reveal themselves as life-changing brain damage years after the fighter has hung up his or her gloves.
And that’s not to mention all the potentially life-changing injuries you can suffer inside the cage in the few short minutes of a fight. Chris Wideman suffered an horrendous injury to his shin just a couple of weeks ago:
It’s not like a lot of other combat sports are much safer. Just a week ago a Sumo wrestler slipped and fell face down. He never got up again. There were no doctors present at the match and nobody checked on him for about 5 minutes as he lay there. You can watch it on Youtube if you’re feeling brave. His medical care, or lack of it, was an absolute disgrace and clearly the safety procedures (which seem hamstrung by tradition in this case) need urgently reviewing. Again, Sumo wrestlers are generally compensated appallingly for the amount they give to the sport, and then discarded after their career is over.
While football stars, golf pros, runners and basketball players can command huge salaries, professional fighters (with the exception of boxers) are just not getting the recognition they deserve.
So the last thing I want to read about is some Tai Chi expert telling me he thinks that MMA is too soft and safe compared to the “deadly” art he practices. If he’s even raised a sweat in training in the last 10 years, I’d be surprised.
As I’ve heard many people say over the years, MMA is the closest you can get to a no rules fight while still having some rules, so as a testing ground it’s immensely valuable for research. Let’s not pretend it’s not, or that practising a martial art without any resistance fighting will somehow make you a better fighter.