Another one bites the dust (the latest Xu Xiaodong vs Tai Chi master)

The Tai Chi ‘master’ lasted 10 seconds this time.

In the video above amateur Chinese MMA fighter Xu Xiaodong is fighting Chen Yong, the self-proclaimed sixth-generation Tai Chi Master of the Wu lineage. It’s the latest in a long line of fights between Xu and people who claim to be martial arts ‘masters’.

If we analyse the 10 seconds of action we can see Chen takes a forward weighted stance with his hands up in a high guard. It leaves him completely imobile and open for a kick. Xu kicks him low, Chen drops his guard and that was all she wrote.

Presumably Chen thought that whatever he had been doing for the past few decades was good enough training to actually fight with. But whatever Chen has been practicing… it wasn’t fighting.

Some of my Chinese Martial Arts colleagues get really upset with these fights. They think the whole thing is set up to make Chinese marital arts look bad and promote the UFC, and I’m somehow complicit in a plot designed to bring the whole Chinese martial arts down. Or that Xu won’t fight anybody young and fit and only challenges old men. It’s classic conspiracy theory nonsense.

I find this attitude odd because, frankly the UFC doesn’t give a crap about any of this. And nobody is making these delusional ‘masters’ fight anybody – they’re doing it of their own free will and more often than not, they are the challengers in the fights, and put up all the money required to make them happen. They clearly think they are going to win with their martial skill despite a huge age gap or a gap in fighting experience.

There is a strong tradition of Chinese Kung Fu masters appearing in faked fights on Chinese TV and seeming to be all-powerful. It’s that delusion that Xu fighting against. Watch this:

serpentza and Byron Jacob explain what’s happening in China.

A common thing I’ve hear is that nobody has heard of these ‘masters’ before. Again, that’s true, but there are a lot of delusional people in martial arts, so I don’t think that’s surprising. China is a big place. Perhaps it’s the use of the term “master” that gets bandied about so freely? In light of all these fights there has been a government move in China to ban the use of the word. Xu Xiaodong has been heavily persecuted – being forced to hide his face in clown makeup and have an insulting nickname in one fight. It didn’t stop him beating these ‘masters’.

But it’s not just Xu doing it. Here’s another video from a couple of years ago. In white pyjamas we have “The 47-year-old expert Zhu Chunping, who has been practising tai chi for decades” vs Yao Hantian “The 22-year-old Yao has been training kick-boxing for just six months”. Read the report in the South China Morning Post. From the 5 seconds of action in the video we can see Zhu takes up what looks like a version of the San Ti Shi stance from Xing Yi while Yao immediately starts moving, establishing range and holding his hands in a modern guard position. One right hand from Yao, which goes right down the middle of Zhu’s guard and he doesn’t react at all to, and it’s all over.

As for the attitude of trying to pretend these fights aren’t happening… I believe it’s some misguided implementation of Wu De – martial virtue. Why shouldn’t people watch these fights? If you engage in a bout with a ring, a judge, and cameras involved, that’s designed to be streamed or televised then clearly you are now in the entertainment industry. That’s what prize fighting is. If this was some sort of battle for honour or revenge it would all be played out in a dark alley somewhere and nobody would ever know about it.

I think the lessons these videos teach is so valuable that they’re worth posting. You need to keep it real (to some extent at least) if you want to teach “martial arts”. Even if that “real” is realising your limitations, and that you shouldn’t be fighting a 22 year old in a ring when you’re 47 and don’t have any fight experience.

Chinese martial arts are full of fantastic skills and valuable content, but if you spend all your time doing your “body method” training and no time doing fighting training, then don’t expect to be able to fight with it.

And let’s not keep hiding this stuff away – you don’t fix your problems by pretending they don’t exist.

“Here is where you’ll be falling down”.

Anti-vax jokers are everywhere in martial arts

Be careful who you train with, because anti-vax jokers are everywhere in martial arts.

Photo by Jhefferson Santos on Pexels.com

The COVID 19 pandemic has had a devastating effect on the world economy, and it’s been equally as bad on martial arts practice. Chinese martial arts have proved more resistant to complete collapse because the majority of the training can be done solo. Taolu or ‘forms’ are prevalent and can all be done outdoors and socially distanced, and on Zoom. Things like BJJ however have really suffered, since it requires close contact. A solo drill version of BJJ is really just an exercise class. 

Now there is talk of a vaccine for COVID 19, and maybe before Christmas. The vaccine has the potential to return us to ‘normal’ in the martial arts. At least we’ll be able to train together safely again. You’d think that would be great news for martial artists, but now I’m noticing just how many of my martial arts associates won’t take a vaccine, because they are complete anti-vax nut cases. Sorry! I mean “vaccine hesitant”. Yes, that’s what we have to call them now.

All the conspiracy theories, stuff about Bill Gates wanting to microchip the world, COVID being made up, it all being a plan-demic, etc, it’s all, 100%, posted on my Facebook feed by martial artists, not by the other people I’m friends with.

For example, there’s one kung fu teacher I had from around 30 years ago, who I really respected, who has turned out to be a full on anti-vaxxer. He hasn’t even got his child immunised against measles because “I believe in Chinese medicine”. Well, that’s nice for you (man), but you’re putting weak, old and vulnerable people at risk from a killer disease because you have chosen to ignore science and not to get your child immunised against a potentially fatal disease. Your child might be healthy and fine, but they can pass it on to somebody who is recovering from cancer treatment and has a weakened immune system. But you don’t really give a crap about that do you? You’re too busy jabbing yourself with acupuncture needles and drinking herbs to care.

Next time you break a limb, just put some crystals on it. Job done.
Photo by Alina Vilchenko on Pexels.com

As you can tell, it makes me angry. So, apologies, but I’m going to go on a bit of a rant. 

There’s a reason nobody has polio anymore. We had a vaccine, and enough people took it that we achieved a herd immunity. The less people that take a vaccine the less effective it is overall, which is why measles is making a comeback in parts of the UK and the US.

“But we don’t know the long term effects!”

Hey, guess what, nobody knew the long term effects of any vaccine. It’s not like these new vaccines haven’t been tested – that’s all they’ve been doing to them. Testing them over and over to make sure they’re safe. History has told us that bad side effects happen within 2 weeks of taking a new vaccine, or generally not at all. Nothing is 100% risk free, and nobody is saying it is, but it’s all about balancing the risks. 

Perhaps it’s social media, and the sorts of idiots who post links and make youtube videos packed full of conspiracy theories that are to blame. But it’s the people who think watching them counts as “research” that are the problem. And why do so many marital arts people specifically succumb to this? That, I don’t know. They seem particularly vulnerable to strange beliefs. It probably explains why martial arts cults exist and why kung fu masters in China keep getting beaten up by a middle aged MMA guy.


And before you hit the reply button with “Yeah, but what about..” Just don’t. It’s your very whataboutism that is part of the problem. You spread confusion about vaccines every time you post these things – you’re part of the problem. Please stop it!

Anyway, rant over. 

Wait until you hear my crazy Baguazhang-Eagle-Dance/Archery theory

I find talking – as in real talking, not discussion forum kind of talking – with other martial artists always inspires some great thoughts. Recently, I was having a chat about some Eagle movements in Xing Yi and my venerable discussion partner noted that they were very similar to the Eagle Dance that Mongolian wrestlers do before a match.

Eagle dance.

My friend noted that the arm positions in the eagle dance are also quite similar to a lot of the arm positions in Baguazhang’s circle walking, like this one:

Baguazhang performed by Master Zhang Hong Mei.

Obviously, the performance is not exactly the same – the eagle dance can have music or a drum beat, but often doesn’t. However, music or not, it does have a rhythm, a beat, which are all things usually lacking in performances of Baguazhang. But Baguazhang does look a bit like a dance. It’s wonderfully twisty, mobile and changeable, but the Mongolian Wrestling dance is so much freer, it’s done with a smile, it’s clearly about having a good time. In contrast, Baguazhang is much more dower and serious. You could almost say it’s as close to dance as you could get if weren’t allowed to actually dance. You’re certainly not supposed to be smiling or showing emotions. I’m going to steal my friend’s hilarious comment about Baguazhang circle walking: “It’s almost like, ‘I want to boogie, but my Confucian culture won’t let me!‘”. 🙂

(As a side note, he also told me a theory about why there is no syncopation in classical Chinese music – it’s because in ‘ancient times’ drums were used to whip up the armies of the various tribes into a kind of pre-battle fighting trance, and when they wanted to unite the Han dynasty, they had to stop the tribes fighting. So, syncopation was removed from the music. I’ve got no proof for this theory, so just take it as an interesting idea, but banning drums it does sound exactly like the sort of thing Confucians would do.)

And that brings me onto my crazy Baguazhang/Mongolian Wresting/Archery theory. Dong Haichuan, the founder of Baguazhang and Yin Fu – his main student, spent 10 years together in Mongolia collecting taxes for Prince Su. This would have been during our Victorian times, so you can get an idea of the time period. Back in China the Dowager Empress Cixi sat on the throne in the Forbidden City.

10 years is a long time, and I find it impossible to believe that, being keen martial artists, that Dong and Yin didn’t have at least some exposure to Mongolian wrestling and/or religious practices, like Eagle dance, and that it could very well be reflected in the content of Baguazhang. I also wonder what all that exposure to a different culture to their own did for them.

Mill stone posture

Let’s look at another popular motif found in Baguazhang, the Mill store posture”.

Baguazhang performed by Master Zhang Hong Mei.

The key feature of the ‘mill stone posture’ is that the upper body and lower body are twisted away from each other in opposite directions as you walk the circle. If you’ve watched a lot of videos of Mongolian martial arts then it might remind you of something…

Another of the “manly arts” of Mongolian culture is horseback archery, which includes the ability to shoot an arrow behind you – the famous Parthian Shot, a horseback archery technique of feining a retreat then turning and shooting behind you 180 degrees once the enemy commit to chasing you.

Parthian Shot

The millstone standing posture of Baguazhang looks (to me) like some sort of training method for the Parthian Shot.

Here’s a video example of it being trained as a drill in Baguazhang:

Dong He Chuan was inside the imperial palace starting in 1864, the ruling Manchu’s (from the North) still had horseback archery as part of the military service exam. Is the simiarity of many Baguazhang postures to Mongolian martial arts a coincidence, or not? Who can say. The historical connection between Dong and Mongolia is there though.

And to finish things off, here’s a funny video I made with my kids when they were little. I wanted to boogie, but my kids wouldn’t let me! Ah, I miss those days, but I don’t miss the disturbed nights 🙂

Bagua circle waking with multiple attackers:

Edward Hines and Scott Park Phillips Discussing Tai Chi, Baguazhang and The Golden Elixir

Scott P Phillips is one of the few authors discussing the link between Chinese martial arts and Chinese Opera (also called Chinese Theatre).

I find his ideas intellectually fascinating. But, for many martial arts people he goes too far in the sense of seeing this one idea in almost everything to do with Chinese martial arts. You could say that in terms of taking the ball and running with it, he does tend to kick it out of the park (sorry) completely 🙂

Is that a fair summation of Scott’s work? Probably not. Part of the problem I think is that the world where theatre was the big entertainment of the day in China, and was simultaneously connected to religion and martial arts, has long since disappeared. From today’s standpoint it’s hard to imagine it even existed. Also, words like “theatre” and “opera” in the West have distinctly different cultural baggage attached to them already, so it’s almost impossible for us to see them as they actually were, free of our cultural biases.

So, that’s why I was pleased to see this interview with him and Ed Hines where Ed gets to ask Scott some basic questions about his theories. Ed is a Baguazhang practitioner based in Paris and he asks some of the more “down to earth” questions that need to be addressed by Scott before he can take us on his magical mystery tour. Have a listen:

Myth busting in Chinese martial arts

Look at those lovely brain boxes.

I’ve been re-watching the excellent conversation between Dr Paul Bowman and Dr Sixt Wetzler on Martial Arts, Religion and Spirituality and it’s sparked a few thoughts in my mind. At 34.39 in the podcast they get on to the subject of myth busting.

Bowman notes that instead of helping people, the myth busting of martial arts which is going on all the time in academic circles is probably destroying the careers of some martial arts teachers. So it’s “doing a service to the world which is actually also a kind of violence”. It’s an interesting point. He notes that people often fall in love with the martial arts for silly orientalist reasons – they fall for the myth of studying an ancient and mystical martial art, then read a well-researched book about it, by somebody like Ben Judkins or Peter Lorge, which shatters their beliefs and makes then doubt the validity of the art they are doing. 

My own Heretics podcast does its fair share of myth busting too – our Aikido episode, Kempo & Jiujitsu history series and Tai Chi history series spring to mind as good examples. I’ve had first had experience of those episodes visibly upsetting teachers I know. Whether they know it or not, these teachers are heavily emotionally invested in the myths of their own arts superiority – they believe all the stories of old practitioners and the amazing feats they can do, and know exactly why their martial art is superior to others. If you start to chip away at those beliefs then the whole facade is at risk of crumbling, and they don’t like it! Unfortunately reality is usually disappointing when compared to the myths. 

When the Chinese martial arts first started making an impact on the West in the 1970s they were full of obvious untruths. Tall tales of Buddhist and Taoist origins abounded. For example, that Tai Chi was apparently created by a Taoist immortal who had a dream about a crane fighting a snake, and Wing Chun was named after the girl who was taught it by a female Buddhist monk, when it turns out that there’s no evidence that she even existed. Over time these myths then get added to by other myths – like the one that Yang LuChan was “invincible”, for example. Even in the modern age the myth of Ip Man has been enhanced to bursting point by a series of pseudo-historical films in which he combats the Japanese, western wrestlers, boxers and even Mike Tyson at one point! 

Ip Man 4

These more marketing-orientated myths about the prowess of practitioners – how deadly they were, how unbeatable their martial arts was, how the power of Qi was greater than physical strength all fed directly into all that nonsense about no touch knockouts and “empty force” that has marred the image of Chinese martial arts in the modern age.

And politics also gets involved. When obvious myths about the origins of martial arts are dispelled they often get replaced by more politically motivated stories about the arts origins that are equally as unprovable and unreliable yet fit a natioanlist agenda. It seems like the Chinese martial arts are forever being used to support some sort of Chinese government propaganda.

In short, the Chinese martial arts world was in need of, and remains in need of, a lot of myth busting, because much of what we are being told and sold is basically not true. But Bowman’s fears, that we are in danger of spoiling the fun for everybody with this relentless search for the truth, holds true, I think. I was certainly attracted to Chinese martial arts by a steady diet of orientalist propaganda from the likes of David Carradine’s Kung Fu TV series and Marvel comics with heroes like Iron Fist. This is often what draws us to the martial arts in the first place and there has to be some way of searching for truth in the martial arts, but keeping the magic that drew us there in the first place. 

Denigrating Chen style?

Photo by Andrea Piacquadio on Pexels.com

Interesting comment from Mike Sigman on my blog. No, that’s not him in the picture, I just though it was a funny picture 🙂

….The real problem with a lot of these theories that basically denigrate the Chen-style Taijiquan as being “only an offshoot of something else” or “it’s really a Shaolin art” is that none of the westerners engaged in those musings have any minor skills in how to move the body in the way that the Chen-style Taijiquan does. It really doesn’t matter that “Chen-style has umpteen of the same techniques/moves shown in the XYZ style of martial-art” … the essence of the Chen-style Taijiquan is in how the body moves, using jin, qi, dantian, and silk-reeling.

So, if you listen to our Heretical Hypothesis, I think you’ll find that although we’re challenging the usual narrative of the origins of Taijiquan, we’re not really denigrating Chen martial arts, calling it an offshoot of something else, or “Shaolin” (as if that’s so bad). In contrast I think it’s actually quite positive about what it really is. It’s the brand name “Taijiquan” that is looking less authentic, not Chen village martial arts.

Chen village has a long history of marital prowess. If we’re talking around the time period we’ve got up to in the podcasts (- around 1900) – then at this point I’d say Chen village style is a genuine badass martial art – it’s practitioners are bodyguards, militia fighters and people with the name Chen are tracking down and fighting “bandits” (Or “freedom fighters” – as usual, it often depends which side of history you are looking at them from) for the Ching as ‘guns for hire’. In contrast, the “Taijiquan” passed down from Yang in Beijing is a kind of court-sanctioned entertainment. Sure, Yang had genuine skills but it’s much of a domesticated experience compared to the “in the wild and doing it” Chens.

From my point of view that’s not denigrating it at all, it’s lifting it up. Around 1900 you’ve got people like Chen Yanxi being employed full time as a martial arts teacher in Shandong by General Yuan Shikai because of his reputation as a badass fighter.

On the second point – I agree – the Chen style moves differently, especially the silk reeling, and it that very well might be because Yang LuChan never even went to Chen village. That explains so much.

Where were the Wu brothers during the creation of Tai Chi Chuan?

Here’s an interesting criticism of the Heretics Hypothesis from blog reader Tom:

“I’ve enjoyed Damon’s monologues in this series on taiji. I think people understand the history given is just Damon’s interpretation, unsourced. The unfortunate part of the narrative is that some key assertions are made that are not true. Wu Yuxiang met Yang Luchan in Yongnian County before Yang went to Beijing. We actually don’t know whether WYX ever went to Beijing. WYX’s older brother did have a position of some importance in the Qing imperial administration, but it was at the county level as a magistrate. There is no extant written record, in a bureaucracy of exhaustive written records, of any of the Wu brothers in Beijing during this time. By contrast, we do have references for YLC appearing in Beijing and being called in to demonstrate at a banquet being held at the mansion of the wealthy Zhang family, purveyors of pickles to the Imperial court (and connected to the Wu brothers …. Damon should look at the sources available for this connection, because it helps support his thesis more clearly than what he’s established only by inference so far).”

There’s a lot to unpack there. So let’s start at the top:

“Wu Yuxiang met Yang Luchan in Yongnian County before Yang went to Beijing.”

This could very well be true. It’s a reasonable point – Wu Yuxiang and Yang could have met in Yongnian, and the Heretical Hypothesis plan (of using Tai Chi to bind together the fractured Imperial Court over something essentially ancient, Chinese and unifying in the face of the world-shaking contact with foreign aggression, which the Ching seem utterly unprepared for) could have been hatched earlier, with Wu Yuxiang and his brothers, who then, using the Ching patronage system, fund the introduction of Yang LuChan to Beijing elites.

Wu’s brothers both wrote texts on Tai Chi Chuan that only surfaced in the 1930s – see Lost Classics from the Late Ching Dynasty’s by Douglas Wile – so they are both implicated in the invention of Tai Chi Chuan myth, as well as their more famous brother Wu Yuxiang.

It’s ironic that Wu YuXiang is the famous brother by today’s standards, but at the time it was Wu ChengChing who was the famous one, having passed the very highest Civil Examinations. This is why there is no official record of Wu Yuxiang anywhere (as Wile notes on page 16) – he was simply not important enough. And if even he is not important enough, then there is zero chance of Yang LuChan – a low-class person ever being mentioned in an official record. Which brings us to Tom’s line:

“There is no extant written record, in a bureaucracy of exhaustive written records, of any of the Wu brothers in Beijing during this time.”

So, that’s not surprising for Wu YuXiang, since there are no written records of him anywhere – “to official historians he does not exist” – as Wile says. 

However, that doesn’t mean he wasn’t in Beijing at some points. Here’s something to consider. A lot of people attribute the “small frame” of Wu (Hao) style Tai Chi to the limited movement available in Court Dress.

e.g. https://www.itcca.it/peterlim/historg5.htm

A quote from that article: “The Yang Small Frame which comes down to us from Wu Chien Quan has little resemblance to Wu Yu Xiang’s small frame and the primary reason for the origin of that form was the Imperial Court Dress which hampered movement.” 

Royal Court Dress, Ching Dynasty.

If Wu Yu Xiang wasn’t in Beijing he wouldn’t have been wearing Court Dress. 

Regarding his brothers we can be more sure: 

The Jinshi (highest Confucian) exam that Wu Chengching passed could only be taken in Beijing if you were from Hebei Province – it wasn’t held in any other location, and final preparation for it wasn’t done in any other location. Wu Chengching records in his chronological autobiography that he passed that exam in 1852, after Yang LuChan moved to Beijing. He was then assigned to be a district magistrate. (Wile, Tai Chi Touchstones, page 180).

Wu Chengching wasn’t just any old magistrate – he was one of a small handful of elite magistrates ruling the counties of China’s heartland, and based in an area of huge strategic importance militarily speaking. I can’t see any way he would get into that position without strong/long-standing links to the Imperial Court in Beijing.

I think we can say that the Wu brothers had strong connections in Beijing, and Wu Chengqing couldn’t have got into his elevated position anywhere other than Beijing. When he moved to Wuyang in 1854 (four years after YLC settled in Beijing), there was no one local who outranked him – his immediate superiors were based in Beijing all the time, and he would have been expected to report to them frequently. To pass Jinshi he would have needed the support of his extended family, including Wu Yuxiang – it was a decision you had to make – to become a magistrate you had to go “itinerant” – you go wherever the government sends you.

But even so, I don’t think the physical location of Wu Yuxiang, or his brothers affects the overall Heretics Hypothesis very much – the Confucian officials were moved around a lot.

Key to the argument is the idea that “anything at all like Tai Chi” could not have existed in that region until after 1850 – and it doesn’t matter who was/wasn’t involved, because the kind of thing that Tai Chi is, is a modern idea that arose through China’s contact with the West.

Hong Quan as Tai Chi Ancestor?

Nothing comes from nothing, so for the Yangs and Wu brothers to have concocted Taijiquan (according to the Heretics Hypothesis) it must still have been made from Yang LuChan’s genuine martial skill. The postures of Yang style share a lot in common with various Northern Chinese martial arts. Changquan (long boxing) is often quoted as something Yang LuChan practiced in childhood, but again, this seems to be purely anecdotal. That doesn’t mean it’s not true of course.

A martial art popular in the region Yang came from was Hong Quan. A video surfaced recently that showed some traditional Hong Quan. It’s interesting to watch because I think it’s a good example of the type of martial art that would have been around at the time of Yang LuChan.

The description offered with the video says: “Here is the Xiao Hong Quan of Mogou Village. Mogou is to the east of Dengfeng and has practiced Hong Quan for hundreds of years.”

Hong Quan was very popular during the reign of Emperor Daoguang, which would be the Emperor immediately before Xiangfeng, who was emperor when YLC went to Beijing in the 1850s.

Out of interest, at a cursory glance I can see at least four Tai Chi Chuan techniques I recognise in that Hong Quan form presented – wave hands like clouds, snake creeps down (low single whip), bend bow to shoot tiger, and lotus kick. It’s hard to spot because it’s quite fast. But I’d hazard a guess that you’d probably find those same general techniques in lots of northern martial arts, like Chang Quan, as well.

Forget Taoism, is Tai Chi Chuan really a Neo-Confucianist martial art?

Confucian Scholar Zhu Xi -(1130-1200AD. This man has a lot to answer for 🙂

Our recent Heretics Podcast series on the history of Tai Chi Chuan keeps generating interesting feedback. Here’s a particularly good one I got today:

My compliments to Damon and Graham on their podcast about the origins of Tai Chi Chuan. I particularly liked mapping martial art history to the general history of the period. From a strict reading of the available evidence the podcast cannot be faulted. Where there maybe problems is in the interpretation provided, which it could be argued commits the error of anachronism. Here is a good quote from a Wikipedia article: “In historical writing, the most common type of anachronism is the adoption of the political, social or cultural concerns and assumptions of one era to interpret or evaluate the events and actions of another”. The interpretation basically argues that Tai Chi Chuan was a bonding exercise in the Imperial Court because of the political decline in the Qing state. A lot more evidence is needed to support the claim that Yang Lu Chan, probably an illiterate low-class bonded servant, was used like an external consultant to go into a large organization and help reassert tradition Confucian values. That looks like an interpretation of Chinese History filtered through the prism of 21th century corporate culture.

Well, that’s an interesting idea. I really like well thought out criticism, especially when it’s delivered so succinctly.

Let’s explore a few of these ideas, and see where it takes us.

I see our podcast on the Myth of Tai Chi as “what Damon thinks really happened based on the available evidence”.

So, there will always be a lot of interpretation involved. History is essentially how you join the dots together. I think what Damon is doing is joining the dots together in a new way that makes a lot more sense than the stories we have been given by our teachers (in some senses the last people you should be asking about real history are martial artists), which all have parts that don’t make sense:

1. The original story we were given was about Tai Ch Chuan (Taijiquan) being created by a Taoist immortal called Chan San Feng. He’s a semi-fictional character who appears at various times throughout Chinese history. Most people who don’t believe in spirits of the ancestors walking amongst us (a common belief in China then) now dismiss this story. Li Yiyu even removed it from his hand written copy of the Tai Chi classics as early as the 1880s. I think this is one for the flat-earthers out there 🙂 

2. The next story is that he learned in Chen village where Tai Chi was created by Chen Wanting in the 16th Century. This story was officially adopted by the General Administration of Sport of China who awarded Chen Village, Henan, a commemorative plaque acknowledging its status as ‘the birthplace of taijiquan’, in 2007 (See Fighting Words, Wile, 2017, Martial Arts Studies (4).) however this plaque had to be removed after just two months after a “firestorm” of new claims to the Tai Chi $ appeared, including the newly ‘discovered’ Li family documents.

But apart from that the story is full of holes. i) For a start nobody in Chen village used the name “Taijiquan” until long Yang used it. ii) There is also no actual evidence he was in Chen village at all. iii) Wu Yuxiang and Yang Luchan meet in Beijing for the first time, yet both have separate connections to an obscure village in China? iv) Then there’s the issue of why they taught an outsider like Yang, but only him – they didn’t teach anybody else, ever! v) Then there’s all the extra content (lots of other forms, weapons, etc) not found in Yang style, but found in Chen style, vi) Chen village records crediting their martial art to the earlier Chen Bu, not Chen Wanting, vii) the emphasis on silk reeling found in Chen style… the list goes on and on. It just doesn’t add up. However, it still needs explaining why the Chen old form and the Yang long form follow the same pattern (see the upcoming part 6 of Heretics podcast series for Damon’s explanation).

3. There are other theories of Tai Chi Chuan being ancient – really ancient, sometimes a thousand, or two thousand years old (that’s the White Cloud Temple claim) – and coming from Wudang mountain, via various unverifiable people, and ending up in the hands of Yang LuChan somehow – but nobody takes these claims seriously.

Of course, Damon isn’t saying that Tai Chi Chuan was created out of thin air, but rather it is the content of Northern Shaolin arts that Yang LuChan (a good martial artist) knew, adapted to fit certain traditional Confucian Court values thanks to Wu Yuxiang, and with a backstory added by Wu to make it appear ancient.

A class-based society

Chinese society was class-based, and teaching martial arts would make Yang LuChan the same class as theatre performers,  i.e. the lowest of all classes. 

The caste system is based on the Four Occupations of Confucianism: https://en.wikipedia.org/wiki/Four_occupations

Theatre performers and martial artists are lower than no.4. They were “mean people”: jiànrén.

The noun is also used to mean “bitch” or “bastard”. The pronunciation can be found here:  https://en.wiktionary.org/wiki/%E8%B3%A4%E4%BA%BA#Chinese

From the Wikipedia article above: “There were many social groups that were excluded from the four broad categories in the social hierarchy. These included soldiers and guards, religious clergy and diviners, eunuchs and concubines, entertainers and courtiers, domestic servants and slaves, prostitutes, and low class laborers other than farmers and artisans. People who performed such tasks that were considered either worthless or “filthy” were placed in the category of mean people (賤人), not being registered as commoners and having some legal disabilities.[1]

So, Yang LuChan was a Jianren, yet, there he was inside the Forbidden City, teaching (and mixing with) the most high-level people in the system.

Wu Yuxiang and Yang Luchan

I think this can be verified: The only students we know he had were all in senior positions, like Wu Yuxiang, and Wu Quan Yu, for example. Those are the facts of the matter, and viewed through our eyes that does make him something like an external consultant, but only superficially. Compared to a consultant of today the power dynamic would be very different. I imagine Yang would be doing a lot of bowing and kowtowing to these senior people he’s teaching.

But is that anachronism or just a reading of the facts? The teaching of martial arts as a hobby or binding action for the court, was indeed a unique innovation, but I don’t think somebody of the lowest class being used to entertain the court is that unusual at all – there is plenty of historical precedent: Theatre entertainers, for example, were regularly brought to the Forbidden City to entertain the Confucian court, throughout Chinese history:

From: https://en.wikipedia.org/wiki/Theatre_of_China

“The Ming imperial court also enjoyed opera. However, most Ming emperors liked to keep their music entertainments inside the palace.[24] They performed for the court. ”

Jingxi (Peking Opera) was certainly popular in the Ching court too:

“In music, the most notable development of the dynasty probably was the development of jingxi, or Peking opera, over several decades at the end of the 18th century. The style was an amalgam of several regional music-theatre traditions that employed significantly increased instrumental accompaniment, adding to flute, plucked lute, and clappers, several drums, a double-reed wind instrumentcymbals, and gongs, one of which is designed so as to rise quickly in pitch when struck, giving a “sliding” tonal effect that became a familiar characteristic of the genre. Jingxi—whose roots are actually in many regions but not in Beijing—uses fewer melodies than do other forms but repeats them with different lyrics. It is thought to have gained stature because of patronage by the empress dowager Cixi of the late Qing, but it had long been enormously popular with commoners.” – from https://www.britannica.com/topic/Qing-dynasty

So, I think we can establish Yang in the position we say he is in (the Royal Court). But let’s get to the meat of the matter!

“A lot more evidence is needed to support the claim that Yang Lu Chan, probably an illiterate low-class bonded servant, was used like an external consultant to go into a large organization and help reassert tradition Confucian values.”

I agree, but it’s hard to know what form that evidence could take? The Smith hypothesis is that it was Wu Wuxiang who was performing some sort of re-instigation of Confucian values, and Yang LuChan was just being used as a gun for hire. We know he was there, in the royal court, but the question of what he was doing there is the key issue.

Tai Chi Chuan as Neo-Confucianist martial art

Everybody knows Tai Chi is based on Taoist principles, starting with Yin and Yang. But wouldn’t you expect the martial art Yang and Wu came up with to be more Confucian in flavour than Taoist? Why then was Yang teaching a martial art that people instinctively know is Taoist in philosophy? Tai Chi Chuan (a soft, internal martial art) is, after all, based on those great symbols of Taoism – the Yin Yang symbol, the 5 elements, the 8 Bagua, etc..

So, how do you explain that contradiction? Well, I can add one more piece of evidence. I wouldn’t call it a smoking gun, but it does add to the overall narrative:

If we look at the content of what he was teaching (Tai Chi Chuan) – then you’ll find it kind of is based on traditional Confucian values, rather than anything Taoist. I’ll explain…..

People talk about Tai Chi as being Taoist a lot, but Taoism is this shaggy, messy, nature-loving, outdoorsy, shamanic, magic, smokey, rich, spiritual, earthy thing involving things like spirit possession and exorcism – it’s not very Confucian at all. Or indeed, very like Tai Chi Chuan.

The best description of Taoism I’ve heard was by Bill Porter (Red Pine), who likened Taoism to “house-broken shamanism”.

The philosophy we find in Tai Chi Chuan – yin and yang, 5 elements, 8 powers, etc. uses the symbols of Taoism, but is all very heavy on categorisation – it’s very clean, neat and orderly. In fact, very… Confucian!

Or, rather, it’s what scholars call “Neo Confucian”. At the time that Buddhism was gaining popularity in China, as a threat to Confucianism, the Confucians needed something to combat it, because they had nothing very “spiritual” in their religion, whilst Buddhism and Taoism were both full of spiritual stuff.

The Confucians plugged the gap with what became known as Neo-Confucianism. Neo-Confucianism adopted the signs and symbols and ideas of these more spiritual religions (yin and yang, Taiji symbols, 5 elements, etc), but it was really just repackaged Confucianism 101. The scholar responsible for all this was Zhu Xi, who lived during the Song Dynasty, from 1130-1200AD. He effectively sanitised all these Taoist ideas and related it all back to the 4 classic texts of Confucianism. His impact in his lifetime was not so great, but to later periods it was absolutely huge – his ideas formed the basis of the Civil and Martial exams that people had to pass to enter government/senior positions, for example.

Zhu Xi

Damon did an excellent episode about Zhu Xi’s impact on Chinese society and martial arts as part of the Heretics Xing Yi series (the same Neo-Confucian philosophy ends up being dumped on Xing Yi during a later period). 

Here it is: https://www.spreaker.com/user/9404101/20-xing-yi-part-5

Give that episode 5 of Xing Yi a listen. To me it makes sense.

I should add some rumour control, since I think that Tai Chi people will generally not like this Neo-Confucian angle:

1. I don’t think saying that the philosophy of Tai Chi is actually Neo-Confucian, rather than Taoist is a diss to the art – an actual Taoist martial art I imagine would not be as practical! It would be messy, unfocussed and a bit wild. A martial arts form repeated over and over in the same sequence each time would probably be a strange concept to a Taoist!

2. I also don’t want to diss the Chen family – their reputation during the Ching Dynasty was of them being practical and expert martial artists who actually used their martial skills to fight bandits and escort caravans. They were the real deal! Their family martial art is older than the appearance of Taijiquan in the 1850s by far – and as any good Confucian knows, older is always better! 🙂

What matters to me about Taijiquan is that it works, not what you call the philosophy behind it.