I think I’m going to start referring to the theme of our recent Heretics podcasts (that Taijiquan was started by the Wu’s and Yang LuChan in 1851, then continued to evolve over the following decades, getting more commercial as it went, and was finally ‘completed’ as a coherent philosophy, martial art and national art in the 20th century), the Heretical Hypothesis.
It stands in contrast to the conventional lineages for the art. Which were first:
i) Zhang SanFeng was the originator. Then it goes into Chen village via Wang ZongYue, and then to Yang LuChan.
Then when this fell out of favour you get either:
i) Various ancient lineages of Taijiquan from Wudang some of which end up in Chen village, others continue to the present day and miss out Yang LuChan.
ii) Obviously Zhang is a fiction, so we start in Chen village (via Wang ZongYue) to Chen Wanting (16th century) and onwards to Yang LuChan.
What’s in a name?
There is an absolute dearth of writing about Taijiquan until after the Ching Dynasty ends. Why there are no published works during this period is an interesting question, but we’ll leave that for another time. All we have in that period is really the group of writings know as the Tai Chi classics, also called the Salt Shop Classics, that Wu YuXiang alleges he found in a Salt Shop, but most people think he actually authored.
In the Salt Shop Classics we see two names pop up – Zhan SanFeng and Wong ZongYue representing a historical lineage. Zhan SanFeng’s name is dropped in the Li copy of the original by 1881, but that’s a good 20 years after Tai Chi entered its commercial period (1861), so a lot has happened and the fortunes of the Ching Dynasty has changed.
Douglas Wile (‘Lost Classics…’ page 111) expresses that view that Zhang SanFeng was already associated with pro-Chinese and anti-foreigner sentiment, and that was the reason for his inclusion in the original version of the Salt Shop Classics. And by the time the manuals were copied by Li (1880s) it is removed because politically it looks more likely the Ching dynasty is going to survive at that point.
It’s an interesting idea, that makes sense. But what of the name Wang ZongYue? There’s no historical evidence that Wang ZongYue existed. Again, Wile points out that using the name “Wang ZhongYue” could have a more political than factual origin. Wang ZhongYue is a euphemism for Marshal Yue Fei of the Song Dynasty, who again stood for anti-foreign sentiments and pro-Chinese nationalism.
Wang = King,
Zhong = Revering.
Yue = Yue Fei, either himself or his lineages (his army).
That would make sense if (following the Heretics Hypothesis) the original purpose of the Wu’s was to create an essentially Chinese martial art practice to bind the Confucian Elite together against all the threats they were facing – Taiping rebellion, Nian rebellion, Foreign powers, etc.
One thought on “Tai Chi history: What could Wang ZongYue and Zhang SanFeng represent?”
Yang LuChan’s patrons were simply trying to establish their hero as having something special and “better than the Chen-style”. It’s that simple. As Douglas Wile pointed out, there is no trace of a person named Wang Zongyue in the historical birth records and gazetteers of the time … but the pithy statements attributed to Wang Zongyue are actually statements attributed to Zhang NaiJou (who didn’t study/practice Taijiquan).
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