Power your Tai Chi from the inside

How to put the juice into Rollback and Press 

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Tai Chi contains advancing and retreating movements, combined with circling left and circling right. Of course, in Tai Chi all movements need to be powered by the dantien. That’s easy to say, but on a practical level, how does this work?

One way I like to think about this is that as you retreat you can think about the arm movements being pulled by the dantien and as you advance they are pushed by the dantien. You can think of ‘rollback’ and ‘press’ from the Yang Tai Chi form as being a good example of this. As you shift the weight backwards in rollback you can imagine ropes attached from your dantien to your hands that are gently pulling them as the dantien moves. Rollback is usually performed with a turn of the waist to the side as you do it, so rather than being pulled completely in towards you, the pulling makes the hands go past you and ready to circle into the next movement… which is ‘press’. At this point you can imagine the ropes snap hard and become ‘rods’, which push the hands away, so the ‘press’ is powered by a pushing from the dantien into the hands. It looks like this:

 

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In all of this your shoulder joint is moving, and power is going through it, but the key thing is that it is not the source of the power. The power source is the triangle formed by the two feet, legs, kua and dantien. The power goes through the shoulder to get to the hands, and if you tense the shoulders then you stop the flow.

Of course, these ropes and rods I’m talking about don’t actually exist, but they do give you the idea of a kind of pressure that is either pulling or pushing your arms and hands, which I think is useful. Once you use reverse breathing to pressurise your body you can start to feel this push and pull in the arms and hands. This isn’t imaginary, it’s a genuine feeling.

If you stand in a relaxed stance you can feel the pressurisation that reverse breathing gives you. Pick the classic ‘hold the ball’ Zhuan Zhang position, then stand for a few minutes while doing reverse breathing*.

You need to feel a connection all the way to the fingers and toes that’s connected to the breathing. It should feel like a slight pressure. Then try to get the feeling of pulling that connection in towards the dantien on an in breath and pushing out towards the fingers on an out breath.

The usual disclaimers apply to any type of work with pressure in the body – don’t do anything crazy with the pressure – you don’t want to tear anything in the body, and don’t direct it into your head. That way lies madness, or at least a pretty decent headache 🙂

(* All breathing in Tai Chi is done lower in the body than normal, so that the diaphragm extends downwards when you breath in, as opposed to the chest expanding. In ‘normal’ Tai Chi breathing the abdomen expands as you breathe in, in reverse breathing you change this around so that you contract your abdomen as you breathe in – this creates a kind of pressure in the body, that you can then use to power movement.)

Once you have a handle on the feeling of being pushed and pulled you might like to experiment with a basic arm wave silk reeling exercise – as the arm moves away from you it’s the ‘push’ from the dantien, and as the arm circles back towards you, you are looking for a basic ‘pull’ from the dantien. You need to maintain the pressurised connection at all times.

Here’s Chen Xiao Wang showing some silk reeling exercises – he starts with the basic single arm wave. Unlike me, he’s an actual expert, so pay close attention.

 

Of course, there’s more going on than this in Tai Chi, but as a basic fundamental it’s a good place to get started. Going back to the example of rollback and press – it’s a good section of the form to work with as both hands move in the same direction. Other Tai Chi movements, like Repulse Monkey for example, are more complex, with one hand going towards you, – a ‘pull’ – and the other going away from you – a ‘push’. Of course, it’s easy to mimic the movement on a surface level, but you need to be doing it from the inside. For now I’ll leave it up to you to think about how Repulse Monkey might work when it’s powered from the dantien.

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Obama Tai Chi

The POTUS and FLOTUS know their Single Whip…

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The Obamas have a bit of history with Tai Chi. Here’s Michelle Obama giving Tai Chi a try at a high school Tai Chi class as she visited in the Chinese city of Chengdu back in March 2014:

 

“It is a really stunning type of exercise, and I loved giving it a try,” the first lady wrote in a travel journal posted on the White House website. Press report here.
Well, it seems a bit of this might have rubbed off on her husband, judging from today’s picture of his awkward, misjudged handshake with Cuban President Raul Castro. Just as Obama reached in to shake his hand, Raul lifted Obama’s arm upwards, resulting in what can only be described as a picture-perfect Cheng-Man Ching-style Single Whip. Here’s the video:

 

 

My critical analysis would be that there’s a bit of residual tension in his left shoulder, but he deals with his attacker well. 🙂

What is Qi?

When we talk about Qi (Chi) in martial arts, what do we mean?

Chinese as a language can have meanings on different levels. The basic definition of Chi is ‘air’, but in terms of martial arts we’re talking about vital energy that’s intrinsic to the breath. If you put the word “Qi” into a Chinese/English translation you get all sorts of definitions, for different Chinese characters. So, to clarify the character we’re talking about is (in traditional Chinese)

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It’s a bit like a picture of a pot of rice over a fire with steam rising upwards. In simplified Chinese it looks like:

qi_air-chinese-character

Unfortunately, “vital energy that’s intrinsic to the breath” still doesn’t help much in terms of understanding what is meant by Qi when we talk about it in martial arts. The most practical way to understand what Qi is, is to take a look at Jin. You can think of Jin is the physical manifestation of Qi. When you manipulate your qi using your mind to do something, you manifest a direction of force in the body – and when the force can be expressed in a direction, without impeding it by tensing your muscles, so that it runs all the way from the feet to the hands, then that is Jin. So, if somebody pushes on your hand, you should be able to create a line of force from your foot to your hand (using your mind) that maintains your position, so that they are effectively pushing into the ground, not your hand. If you push on somebody’s outstretched arm and they feel really strong, like a rock, yet they’re not tensing their muscles then you could say they have “strong qi”.

In the following video Mike Sigman takes you though what Jin is, which should hopefully increase your understanding of what Qi is.

You can see that he’s talking about setting up pathways in the body – if you refer back to my previous post about basic silk reeling movement you can see how the two tie-in together.

 

 

 

The basics of Tai Chi movement

How to move in the Tai Chi way

We’re in a strange situation where the vast majority of people who “do Tai Chi” are performing some kind of elegant, slow-motion movement ritual, but without the required ‘internal’ body movement. There’s not necessarily anything wrong with this, as most of the benefits Tai Chi can give you – like relaxation, better breathing, suppleness, improved general health and flexibility – don’t really require ‘proper Tai Chi movement’. If you’re up and you’re moving then you’re doing your body more good than everybody left on the sofa. This is particularly important for the elderly.

But what do I mean by ‘required internal body movement’? Well, I’m talking about how your body forms the posture of Tai Chi – the movement you use to get into the various postures and flow between them. By default everybody uses a kind of normal human movement – the sort you use when you reach for something in the cupboard, or when you are tidying up a room. You don’t think about it, you just do it. And it’s the same with performing a Tai Chi form. If you’re going to do White Crane Spreads Wings then one hand has to circle up, ending above your head, and the other hand has to circle down, ending near your hip. Like this:

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The question is, how did the hands get there?

With ‘normal movement’ we just do it – our brain tells the muscles what to do and they do their thing, in the order and manner they’ve been working in since we were babies.

In Tai Chi we need to repattern the way our body moves to adopt the ‘internal’ model of movement. This involves creating a sense of connection from the toes to the fingers (like you’re wearing a suit), along which you can feel a slight stretch, and then keeping this stretch as you move, while powering and controlling the movement from the dantien and legs, not from the shoulders. In fact, the shoulders shouldn’t be actively doing much at all – they should act as conduits for power, not generators. There are other additives that are used to generate movement, but those are the basics.

It’s a lot easier to practice this sort of movement in a simple controlled way than it is to jump in at the deep end with a Tai Chi form and all the variation it offers. To help you do this, people have created are what have become known as “Silk reeling exercises”.

There are a ton of these on the Internet to watch and follow along with, but like most things of that nature, it’s not the exercise that’s the important thing, it’s how you do the exercise. Luckily, Mike Sigman has recently produced a couple of new videos that not only show the exercise, but also show how you are supposed to do them.

Take a watch, try them out, then see if you can repattern the way you are moving in your Tai Chi form.

Unfortunately, it’s hard to talk about Silk Reeling without getting into some of the style wars within Tai Chi. Silk Reeling is often though of as the preserve of Chen style Tai Chi, and that in other styles of Tai Chi they do something else. You can do you own research on the matter, but the conclusion I’ve come to is that all the various ‘tricks’ that you learn in Tai Chi (like bows, or rotation or sinking and rooting) are all different facets of silk reeling, and you can therefore save yourself a lot of time by just adopting the model wholeheartedly.

Here’s a link to an article on the Yang Family website extolling the virtues of silk reeling and why it’s so useful. I’ll leave you to draw your own conclusions about why it’s up there.

As it says in the article:

“We need to understand the requirement to ‘link everything together’. Not only does moving energy require going through all the joints, it also needs to be sent through the muscles and sinews above and below the joints. This is the function of spiralling silk reeling.”

So, to return to the aforementioned Crane Spreading its Wings – this is how you get your hands to circle up and circle down. Now you just need to go and practice it.

Chen and Yang style Tai Chi, compared, side by side

Yang and Chen style compared on video

This great video is worth coming back to again and again. Obviously, there has been some manipulation – the sequence of each player is paused or slowed down at key moments so that they stay in sync, but it shows how Chen style and Yang style, which initially look quite different, are in fact, variations of the same form.