As I was reading Glen Board’s excellent new book Xing Yi: A study of Tai and Tuo Xing I thought there really needs to be a video of these linking sequences he’s presenting in the book so people can see how the moves work and get a flavour of it. So I made one myself in a bit of free time instead of my usual morning practice.
During filming I got a visit from a local village Peacock (we call him Peter) who decided to bless my video with his presence. Tai is the flycatcher, a small to medium bird with a long tail. Now, while Peter may also have a long tale, he’s a very large bird. Also, he’d be more like Chicken Xing (Ji Xing), so he’s a not a perfect fit with Tai, but you have to use what you’ve got.
Peter, standing proud.
Here’s the first video:
The problem is, (as I discovered) if you want make a video of animals Xings that if useful for people to follow along you have to take a lot of the character of each animal out, and it becomes a bit bland and (dare I say it….?) more like Tai Chi…
So I did another video that had less emphasis on relaxed movement and accuracy and more on expressing the Xing of each animal. Glen described the Xing well in his book, but in short, I’m trying to generate more torsion through the dragon body in Tuo and more agility, abrupt change of direction and surprising strikes in Tai.
My Xing Yi is always a work in progress, and I’ve been out of the loop with it for a few years, but Glen’s book has inspired me to pick it up again, so I’m not presenting myself as a “Laoshi” or expert here or anything, just a glimpse into my personal training. Anyway, here it is and hopefully people who buy the book will find it helpful in some way:
Firstly, the book looks great. It’s thick, there are a lot of photos, some of which are colour, but most are black and white. They’re well taken and it’s easy to see what’s happening. In terms of content, there is lots of historical information about how Xing Yi was created in the book and the philosophical and martial ideas that lie behind it, but there’s also lots of very practical real-world applications of the movements shown as well. Glen even covers that tricky subject of how Qi is used in Xing Yi Quan as well as taking in the Xing Yi Classics, San Ti Shi and weapons. It’s a pretty hefty volume.
The real focus of the book though is on two of Xing Yi’s 12 animals: Tai and Tuo, but it also covers an awful lot of general Xing Yi theory. The inclusion of a full translation of the two most important Xing Yi classics writings – the Classic of Unification and the Classic of Fighting, from Yue Fei’s 10 Important Thesis – is particularly welcome. As is the inclusion of an Appendix on the I Ching, which explains the 8 trigrams and how you can use them to post-analyse martial arts movements or situations in Xing Yi Quan.
Full disclosure: Glen and I have the same Xing Yi teacher and this book follows on from my Xing Yi teachers first attempt to write a book on each of the Xing Yi animals. He only got as far as Bear Eagle, before stalling on Snake. So, it’s good to see that Glen has picked things up in our lineage and got something into print on a couple more of the animals. I’d like to see him do the same thing for Horse and Snake (if you’re taking requests Glen? 🙂 )
(You might also like the podcast series I’ve been doing with Damon on the history of Xing Yi).
Tai and Tuo
Tai is a fly-catching bird from Asia with a long tail. It’s sometimes referred to as “Phoenix” in English. It’s quite an agile little bird that’s good at evading predators by using its long tail to confuse the attacking bird and also good at catching insects in flight. As you’d expect, there are a lot of changes of direction and spiraling type actions amongst its martial applications.
Tai uses a special fist formation to strike with where you protrude the middle finger knuckle ahead of the others when you form a fist. You use it to strike with in the same way that a “Phoenix-eye fist” can be used in Shaolin arts to strike with. The book explains all these aspects of Tai.
Tuo is the Chinese Crocodile. (Also known as Chinese Alligator). Sometimes you see Xing Yi people call it “Water lizard”, but come on people – just put the pieces together 🙂
Tuo doesn’t have any specific fist shapes, but emphasizes the ambush nature of the crocodile when hunting. It also makes use of the side to side rolling action that a crocodile performs when trying to drown and rip apart any prey it has captured in its jaws.
The book has a linking sequence (a form) for each animal as well as applications of the movements in a huge amount of detail. There are 31 applications shown for Tai and 22 for Tuo with photographs of the steps involved in each. They’re all bare-hand applications rather than weapons applications, but that’s fine by me.
Overall I’d say that this book is one of the most accessible and practical books you’ll find on Xing Yi Quan. It doesn’t matter if you’re new to the art or pretty experienced – you’ll find something new here to pique your curiosity. If you’ve got any interest in the art of Xing Yi Quan at all then I’d suggest you get yourself a copy, because you’ll really enjoy it.
Here are some photos of what it looks like inside: