This video has been doing the rounds online, showing some tai chi (taijiquan) fighting applications.
I don’t think there’s much to say about it, but it does perhaps prove useful for answering that question you get a lot: “can tai chi be used for fighting?”.
Let’s just try to say a few things about it though:
Firstly, he’s clearly just taking a tai chi posture (‘Play Guitar’) that looks very like that an ‘on guard’ position and using it in the same way a boxer does to parry and block punches. The hand he has by his chin he’s using in just the same way a boxer does their back hand to parry a jab. Is there anything wrong with that? Maybe not. You could use the posture like that, but is that its purpose?
Is that what that posture is designed to be used for? At this point, who knows. Usually you see ‘play guitar’ used as an arm locking posture, or combined with a foot sweep into a shuai jiao-style throw.
On the positive side, he’s actually getting the guy to throw the attacks properly, which is nice to see. Maybe they could be a smidgen closer together, so the punch would actually land, but compared to most applications you see from non-committal attacks, it’s not bad.
No, it’s not sparring, but not everything has to be. I don’t think it would look quite as much like ‘tai chi’ if it was sparring.
Finally, is there much ‘tai chi’ going on here? I’d be looking for smoothly flowing into sticking, yielding, and neutralising. He follows up a couple of times, but I don’t see much in the way of controlling the opponent here. The opponent is more often than not just blocked, and not controlled.
The bar for tai chi applications is pretty low. There are too many videos of people bouncing away at the slightest touch to muddy the water, so I think we have to say that this is at least a step in the right direction.
Let’s see if we can explain this without getting lost in too much theory…
(N.B. I’m writing this, to help my own thought process, rather than producing a tidy finished article, so let’s see where we go.)
Yi is one of those confusing terms in taijiquan. I don’t think you can talk about it without reference to jin and fangsong (probably qi too, but let’s try to leave that for now).
Amongst the taijiquan community there are a lot of varied ideas about jin, the “refined strength” or “trained strength” that you find mentioned in the Chinese marital arts, particularly taijiquan.
Many people seem to think that jin is about generating force maximally for whatever movement you’re doing, so a swimmer has ’swimmer jin’ or a weightlifter has ‘weightlifting jin‘.
It’s a tempting idea – after all who wouldn’t want to move with the grace, power and agility of an athlete, but I don’t think that practicing taijiquan should be looked at as some sort of shortcut to those abilities.
Athletic abilities are hard won, don’t last forever and require an awful lot of maintenance to keep a hold of. You can’t just short-cut them.
In taijiquan that is not what’s really meant by the word jin anyway, or there wouldn’t be anything different, at a fundamental level, between the training a boxer does and the training a taijiquan player does (and at this point you may actually be standing on the sidelines shouting, “No, there isn’t and difference!”, however, that’s your choice, but let me try and change your mind…)
In taijiquan we are specifically talking about ground force when we talk about jin. By ground force I mean the solidity of the ground manifested to our fingers. As the saying in the taiji classic says
The jin should be rooted in the feet, generated from the legs, controlled by the waist, and expressed through the fingers.
This is achieved by letting whatever forces we’re working with find their way to your foot to rest on the ground. This ground force can be bounced back from where it comes, turning it into something that can be used actively as well as passively.
When people talk about jin the next word out of their mouth is usual fangsong, to relax. There’s a reason for this.
The only way to let the forces you’re working with rest on the ground as directly as possible is by relaxing your upper body. (Relaxing your legs doesn’t really help much, since the weight of the body is sinking down into them). It’s getting the tension out of your upper body, by letting it dissolve down, that works the magic.
So what does it mean to ‘let forces rest on the ground’, and how do you do it?
Let’s make this a practical example.
If you’re sitting at a desk right now reading this on a laptop, I want you to pick up your laptop with your hands.
Got it? Good. (If you haven’t got a laptop, grab something of equal weight)
Now, you might think you’re fairly relaxed as you sit there holding your laptop off the desk, but what happens if you say to yourself “let the weight of this laptop go to the ground, through my chair”.
Now, if you’re anything like me you’ll notice that something invisible subtly changes inside yourself when you do this. There’s a noticeable switch of the internal musculature of your body (the qi) that is rearranging things for the weight you are holding to be supported by the ground.
I don’t know what exactly changes, because subconsciously your body just does it, and that subconscious switching is a function of your yi, which is usually translated as “intent”.
You can put your laptop back down now.
What I notice when I do this is that when direct forces to the ground my neck feels freer, my shoulders looser and space seems to open up. Mentally I also feel clearer. These are a lot of the benefits that you get from practicing taijiquan.
Your yi is activated when you imagine a direction that you want to send a force into. It does all the hard work of plotting the path through your body on a subconscious level that you aren’t usually aware of. In fact, trying to work out how it’s doing it is a sure way to mess up actually doing it.
If you see people practicing taijiquan, or other internal arts, with that kind of faraway focus that’s about halfway between open awareness and fixed attention, that’s what they’re doing. They’re not communing with the angles, they’re imagining directions for the jin to ‘flow’ in. They are using their yi while doing the form.
Now that was quite a lot of concepts to throw at you in a short while, and probably enough for now, so let’s stop there.
Mike Sigman’s post on qi has made me want to think more about jin and qi again. I realise I haven’t been posting about it very much recently – partly because I’ve been distracted by writing a book about BJJ – but now the book is finished it’s time I came back to the subject. I read another post Mike made recently on his 6H group about pushing against a wall, which I think is a brilliant idea, because it’s so simple.
In a way this post is just me writing it out in my own words as an exercise, so I can understand it, and contextualise it a little more in terms of my tai chi practice.
Pushing is a big deal in tai chi because it features so prominent in the form – one of the four ‘energies’ of tai chi is called push in English, which (as I discussed with Ethan Murchie in my last podcast) is confusing since the translation of “an” into English is more accurately to “press down”, which isn’t what the push posture in tai chi looks like, or how you’d push a wall.
An AI-generated tai chi ‘push’against a wall
Pushing is also part of tai chi’s two person exercise, tui shou – “push hands”. So most tai chi people are pretty familiar with the concept of pushing.
Now imagine you are pushing against a wall and somebody asked you to push harder. Most people would simply push harder with their arms and lean harder into the wall. What you’ll feel when you do this (try it) is that it pushes your upper body backwards and away from the wall quite a bit because it’s impossible to push hard with your arms without introducing excess tension into the system.
This is the “you’re using your shoulder too much!” criticism that a lot of tai chi teachers sling at their students, without really explaining how not to push using the shoulder.
So, let’s look at exactly how you could push harder without using the shoulder.
The only another way to increase the power of your push is to increase the downwards power through your legs. Now, it’s pretty hard to push downwards with your legs, since we have nothing above us to push off from if we want to push downwards. Instead, all we have in a downwards direction is gravity, so how do we use that gravity power? The answer is to relax and sink down into your legs harder.
Put your hands on a wall and try it.
As you sink and relax more through the legs you should feel the power in your arms increasing.
What you’ll notice is that you have to internally align your body correctly for this power to reach your hands. The good news is that you don’t need to think very hard to do this, you can just feel how you need to arrange yourself and your subconscious will do the rest. But you need to properly relax. If you tense up parts of your body – your shoulder being the main culprit – the power won’t slow smoothly and uninterruptedly through the body to reach its destination.
At this point you should start to realize why the word relax (or “sung” in Chinese) is said so often in tai chi practice.
That path from floor to hands is what you’d call a ground path, or a jin path. And the force you are channeling into your hands is known as jin in Chinese. The usual English translation of jin that you see used is “refined strength”.
Again, don’t get hung up with where the path goes through the body, just where you want the force to go.
You should also notice that as the jin force in your arms increases, you don’t get knocked or pushed backwards as easily as you did when you were using brute strength, because there is less tension in your upper body.
Obviously you are not going to push a wall over! But you can now feel the forces in your body that we should be dealing with when doing the tai chi form, and hopefully when you do “push” in the form, your push will now be a little bit different, more refined, a little less clumsy and a lot more tai chi-like.
Yang Cheng-Fu demonstrating a tai chi form, emphasizing the importance of daily practice for mastery.
One question that nobody I teach tai chi to ever asks me, but I think they should, is “how much do I need to practice between classes?” Perhaps they don’t want to hear the answer!
The quick answer is: every day. If you’re serious about getting better at something you need to do it every day. I don’t mean just tai chi, it’s the same with anything you want to do in life. Want to learn to play the piano? Practice every day. Want to learn to speak Spanish? Practice every day.
Here’s what I observe about myself when I practice the tai chi form everyday: you go much deeper into your practice, because you’re not taking one step forward one step backwards anymore. You’re only going forward. Your tai chi form gets much, much sharper if you do it every day and you are able to get deeper into your practice. If you take a day off, it takes you a day to get back to where you were last time. There are things you notice about the movement, or about the way you do a movement that you only get the mental space to notice in your practice if it happens every day.
I’m not saying that if you miss one day everything will fall apart, but just try it –, make a conscious choice to practice the form every day for a week and see how it opens up your practice.
How long to practice
The next question is how much should you practice in a session?
The answer to this I like the best is, ‘do the form a minimum of 3 times’. Once because the first run through is always terrible. Second to work on something specific, and third to finish off just enjoying it and not working too hard.
If you have more time available you can do the form more times in the middle part of your practice to work on specific aspects. Or you could break out individual moves and work on them over and over. Some people really like this – I’m not such a fan because I don’t think any move in tai chi is especially better than any other, but that’s just me. Xing yi has a different approach because it emphasises the five ‘fists’, but that’s a different martial art.
Wu Jianquan practicing tai chi, demonstrating a deep stance and focused movement.
Why the same form?
You might wonder if there is value in repeating the same form each day – I mean, why not do a different one each day, or freeform something? I think the answer is that you get something unique out of doing the same form each day that makes it worth it.
The idea of repeating a familiar sequence may not initially appear to be in keeping with ideas of spontaneity, but I think when you go deeper into a form, it can still feel spontaneous. Not to mention that once you go deeper into it and start living it from the inside you realise that a form is just a series of expressions (energy changes) and you can do those in multiple ways, so it is never the same form.
As Heraclitus famously said, or was reported to have said, “You cannot step into the same river twice”. However, I think you need to be very familiar with the river in question (the form) to appreciate that.
This video of a lady doing Tai Chi on a balance board popped up in my Instagram feed today and I’ve got to say – not bad at all! Her balance looks fantastic. Obviously, she’s also super flexible ( she looks like she’s adept at modern gymnastic ‘wushu’, not just tai chi, to me), but that has nothing to do with how well she’s balancing.
This balance board device looks like great fun to play with! I’ll have to find one. I like doing things like that that test my balance. My local park has a play area with a strange circular rotating… er… thing?… in it. When my kids were little I used to take them to the park to play on it, and I used to try and do tai chi on it while they jumped on it at the same time:
That thing is very hard to balance on, let alone walk around on while it’s moving. It goes surprisingly fast at times.
I was taught specific body-lightness training as part of my tai chi training, and it really helps with things like this. My teacher’s notes described it as giving you ‘better than normal balance’ and when I read that I thought it was a bit of an exaggeration, but once I got to that part of the training, I realised that this was a perfectly good description of what it gives you. The training involves a chi kung exercise (internal training) as well as doing the form with weights on your ankles (external training) then combing the two. It’s the sort of thing you have to concentrate on to have: Like a switch you can turn it on and off.
Better balance is one of the things I find that people come to tai chi for. The good news is that I think the whole process of learning the form gives you significantly better balance. The specific body-lightness I’m talking about is part of the whole training process and takes time to get to, as well as time to practice before you ‘get it’. Sadly, it’s not something I can just impart to people, because I would if I could. It’s damn useful.
Simon Thakur is the founder of Ancestral Movement, “An ecological approach to movement and mind-body practice, exploring ancient ancestral patterns of movement and awareness built into our bodies, rediscovering the power, grace and ease of natural movement and our bodies’ innate connection to the rest of the living world.”
In this episode we talk about many subjects including Yoga, Chinese Martial Arts, Brazilian Jiu-Jitsu, Tai Chi, Shamanism and more!
Hello! Happy Year of the Snake, dear reader. On an occasion such as this is would normally be customary for a tai chi blog like mine to do a little post about the influence of the snake on tai chi, kung fu and Chinese culture in general.
Snake is, after all, one of the five main Shaolin kung fu animals, one of the 12 main xing yi animals and frequently appears as a menu item in Chinese restaurants, er no, sorry, I mean, appeared in Kung Fu Panda!
But, no! I’m not going to do that; partly because it’s such an obvious thing to do that I’ve done it before, and I hate being predictable, or at least repeating being predictable, but also because I’ve just recorded an excellent conversation for my next podcast with Australian national treasure and sometimes-Chinese-martial-arts-practitioner, Simon Thakur of Ancestral movement about finding your inner, ancestral animal, including, of course, the snake, and I just need to find the time to get on with editing it so I can get it out to you lovely people.
I think that what Simon says about our human connection to snake-style movement is probably more valuable than whatever I’ve got to say on the subject of our slithering cousin. So, I’ll leave the snake talk until the podcast comes out!
Simon Thakur, trying to locate his inner snake while doing an impromptu bit of Fox Trot in The Bush.
In the meantime, while you wait for that podcast to properly percolate (all the best things take time) I’ll leave you with a thought. “Tai Chi is more than the techniques, it’s the jins that make it interesting”.
If you listened to my last podcast with the esteemed Alan Wycherley of ‘In Defence of the Traditional Arts’, you might be forgiven for thinking that I’m all about training tai chi techniques. Now, while I’ve no objection to practicing a Repulse Monkey or a Part Wild Horse’s Mane (or two), or even a Snake Creeps Down, I definitely agree with the statement that tai chi is more than the moves. In fact, I think we can probably agree that tai chi applications aren’t that great as martial techniques. There are (shock!) other martial arts that have more effective techniques. Hello, Brazilian Jiu-Jitsu, I’m looking at you. Hello, Choy Li Fut. Hello, Western Boxing. Hello, Muay Thai, stop hiding at the back! Yes, all these martial arts have techniques that I would probably put ahead of anything found in a tai chi form, regardless of style. They’re practical and effective. And yet, I practice tai chi. So, why is that?
What tai chi has, and emphasises over techniques, are the eight energies – the jins: Peng, lu, ji, an, etc.. What you are doing when you practice a tai chi form is emphasising energy changes using these eight over technique. Flowing from one to the other a bit like a river flowing along smoothly. Sometimes there are fast bits, sometimes there are slow bits, sometime the river turns one way or another, but its energy flow keeps going.
When I practice other martial arts, my emphasis is more on technique. When I practice tai chi I can relax and get more inside the movement and concentrate on the energy flow.
And of course, in tai chi push hands you get to interact your energy flow with the energy flow of another person in a live situation, and that’s extremely valuable for developing martial ability. Techniques are another thing.
Now, if the analogy of a river doesn’t work for you then think of something else… perhaps, a snake? Snakes can flow along smoothly, they can change direction sharply and they can be incredibly powerful or incredibly quick, as well as slow and suffocating. They’re a great example of energy changes.
Homework
In preparation for my next podcast allow me to recommend a documentary by professional paleontologist and evolutionary biologist Neil Shubin called Your Inner Fish. (He’s written a book of the same name, if you prefer to read about him). Snakes come out to play in episode two. Here you go:
My latest podcast with Alan Wychereley, who was as student of the late UK tai chi legend Dan Docherty inspired my listener/reader Steffan Stringer to track down Dan’s autobiography “Wild Colonial Boy” (I have to admit, I’d heard of this book before, but never read it, and in my mind it was always called “Wild Caledonia Boy”, which, I think, given the Scottish-centric design of the cover would have been a far better title!)
“In 1975, Dan Docherty, a young Scots law graduate and karate black belt, left Glasgow to spend nine years as a Hong Kong police inspector.
As well as serving as a detective and vice squad commander, he also took up Tai Chi and won the 5th Southeast Asian Chinese Full Contact Championships in Malaysia in 1980.
In 1985, he was awarded a postgraduate diploma in Chinese from Ealing College.
He travels extensively teaching Tai Chi and has written four books on the subject.”
When I started Tai Chi in the early 90s everybody had heard of Dan Docherty, and he was something of a big name, not only because of his competition success, but also because of his reputation for unmasking frauds. I remember him gaining a lot of notoriety for pouring a bottle of water over the head of an ethnically Chinese Qigong teacher who was doing seminars on Ling Kong Jin or “Empty force”. Dan’s reasoning was that if he could move people without touching them then he should be able to deflect the bottle without the need for physical contact. It didn’t work. He was also famous for “getting into it” with one of the Yang family representatives in the UK, who ended up leaving the UK after their encounter.
Sadly Dan Docherty died of complications from Parkinson’s disease in 2021. I never met Dan in real life, but his impact on the UK tai chi community continues to be felt long after his death. That’s probably the best legacy a tai chi teacher could hope for.
Greg Souders on the Grappler’s Perspective podcast.
In the last episode of my podcast episode with Alan Wycherley about fantasy vs reality in tai chi we mentioned a subject that might have been unfamiliar to some of you – the ecological approach. This is a training method that is finding a lot of familiarity with BJJ right now, but I believe it has always been a part of tai chi training too, since tai chi contains push hands as a training method, which has the potential to be a free and playful exploration of movement.
Rather than try and explain the ecological approach myself, I thought it would be better to hear directly from the guy who made it famous in BJJ, Greg Souders. As you’ll discover, he’s not afraid to say controversial things about the learning method adopted by most BJJ academies!
So, here he is on a no punches pulled episode of the Grappler’s Perspective podcast. Have a listen and see what you think:
I had a chat with Alan Wycherley from the In Defence of the Traditional Martial Arts YouTube channel for my podcast and the episode is now live. We talk about how Tai Chi can be used as a realistic self-defence system and Alan’s encounters with traditional martial artists from different kung fu systems.
The Tai Chi Notebook 