Just a short post today, but I really liked this video of Shaolin Da Hong Quan (“Big Hong Fist”) from Will at Monkey Steals Peach. He shows some applications at the end too, so keep watching. The applications look like some I learned in Tai Chi, and I can see some of the punches have a lot of similarity with Xingyiquan. More evidence that Chinese martial arts are all one big family.
Michael Rook posted about an online course in Hap Gar that’s starting in January, so I thought I’d check it out and had a go with one of the free videos as my morning workout. The teacher is David Rogers of Rising Crane, and the workout is a nice, not too heavy, way to start your day while learning some Kung Fu. Plus it’s free, so give it a go! I really enjoyed it. After a warm up you’ll work on the first 5 basic punches of Hop Gar and some stances.
Richard is a teacher of Tai Chi and Hap Gar Kung Fu through the Rising Crane. David only takes one or two student groups a year for online learning, and it’s a very interactive, personalised training session so a whole group can move through it together, getting feedback as they go.
I haven’t done Hap Gar before, but I’ve done a lot of Choy Lee Fut, and to my eyes there appears to be very little difference between the two. Hap Gar looks like a version of Choy Lee Fut to me, even the same names are used for the moves, so it was great to experience a Kung Fu style I was already familiar with, but from a slightly different perspective. I also liked his thoughts on fighting strategy for these long range styles that he gives at the end, around the 35 minute mark, plus I liked his thoughts on MMA.
People always want their favourite martial art to be really old, as if that somehow makes it more effective. In reality, age has no bearing on effectiveness and it’s the practitioner that is effective anyway, not the art.
In short, it doesn’t matter what martial art you practice, it matters what you can do with it.
Looking for scraps of evidence to somehow prove your art is older than it is, is a pedantic and pointless route to go down.
I’ve still seen no credible evidence that Tai Chi existed before 1850 beyond legends and myths. However there were plenty of Republican era Tai Chi manuals published in China by the Kuomintang, and almost all of them include some sort of dubious history section that traces Tai Chi back over a thousand years. Don’t latch onto these things – they are a product of their time, a time when the martial arts was being politicised to strengthen the nation in the face of foreign aggression and burn out the memory of previous humiliation by European powers who had advanced all the way to Beijing and captured the city during the second Opium war, forcing humiliating concessions from the Ching.
Thanks to the Brennan Translation website, you can read a lot of these Republican era manuals for free, and look at the photos, which are a fascinating insight into martial artists of the time and what they looked like.
Myths and legends
For example, the famous Gu Ruzhang, the “King of Iron Palm”, wrote a 1936 “Taiji Boxing” manual which contains one of these history sections.
He writes: “China’s boxing arts have many names, but amount to no more than the internal skill and the external skill. The ancestor of the external is Shaolin. Its movements are all magnificently expressed. Since its principles have been spelled out by many previous generations, they do not need to be repeated here. The ancestor of the internal is Wudang. Its strength is stored within, such as in Taiji Boxing. Its power not being outwardly displayed, it instead has a pure naturalness. Like an unending circle, its movements are lively. And so it is deemed internal and is different from Shaolin.
Taiji Boxing’s origin can be separated into five versions:”
The idea of Taiji Boxing being different to Shaolin is the thing he’s highlighting here – he’s trying to create something in contrast to Buddhist outside influence. Something Chinese that can bind the nation together in the face of foreign aggression (British and French before and Japan had just invaded). So, he’s saying that anything from this “internal school” is “Taiji Boxing’s origin”, without an actual lineage connection, this is a bit dubious at best, but let’s go with the flow.
One “Chinese” lineage he then mentions is Chan Seng Feng on mount Wudang (which has no validity, and is just myths and legends):
He writes: “What Zhang Sanfeng taught was of the Wudang branch (because he was living in the Wudang mountains), and it was known as the “internal school” of boxing. This version had the highest number of movements yet. Again the name was changed, now to Taiji Boxing, and it went down two paths:
Again, Wudang = Taiji Boxing!
Another 2 lineages of Taiji Boxing he lists starting in the Tang dynasty (the Tang Dynasty was 618AD-907AD, which is over a thousand years ago!), he also lists 1 southern and 2 northern lineages for Taiji Boxing that go through Chen village (our podcast has discussed this and found it unlikely, but not impossible).
It appears that Taiji Boxing is springing up everywhere in China from multiple sources!
He concludes with: “These are just the people we know about, to give a general idea. To cover every person who has received it and make a clear survey of the prominent practitioners of each generation, that will have to wait for a future edition. More will be added later so that future students can know about the source of their art.”
This statement seems to be that he’s admitting he doesn’t really know. It’s just a collection of things he’s been told. None of which there is credible evidence for beyond what he’s been told. Sure there could be a document somewhere proving “Yu family taught something called Innate Nature Boxing” in the Tang dynasty, but how does that related to Taiji Boxing?
There’s no connection beyond the idea that anything Wudang-like must be the origins for Taiji Boxing because,….. it just is, ok?
Obviously, nothing comes from nothing – whatever Yang Luchan created post 1850 in Beijing was from what he learned previously. You could use the same logic to argue for a lineage all the way back to the pre-human monkey in 2001 banging bones together in front of a black monolith. Or you could go back to the start of the universe. It’s an interesting philosophical question, but for sanity’s sake I think you have to start somewhere with a style that has a name and a collection of training methods called “Tai Chi Chuan”. Otherwise, all martial arts are infinity years old.
But to get back to my point. It’s not the age of the art that matters, it’s what you can do with it that does. These old boxing manuals are a real treasure, but I look at them for their practical advice, their description of forms and strategies and applications, not their accounts of history from an age where saying the wrong thing could get you beheaded. Unfortunately for the writers of many of these manuals, the Communists took over in 1949 and they were forced to flee to Taiwan and Hong Kong. A lot of them didn’t make it.
Get the inside view on the recent BBC Shaolin Temple documentary from a YouTuber who lived there for 3 years training Shaolin Kung Fu. What is real and what is fake? Find out here:
Jarek Szymanski’s website, China from Inside was one of the first and best resources on the web for the history and practice of Chinese Martial Arts, written by a European living and working inside China. It was particularly good for finding out how internal martial arts, like XinYi, XingYi, Bagua and Taijiquan were actually practiced in their native environement.
I remember reading his website back in the 1990s, and it’s still there!
Nick at Masters of the IMA has been working together with Jarek over the last few months on recording some of his experiences in China back in the 90s – how he came to end up living in China, his experiences investigating the history of various CMA, etc.
He’s posted the first parts of the interviews on his website, and it’s well worth a read. You can find out all about his experiences on Mount Wudang and Beijing, and get his opinions on how modern Chinese martial arts related to the older traditions, and how they differ. I really liked his insights into places like the Shaolin temple and Mount Wudang (see part 5) and how they’ve changed over the years compared to his visits there in the 90s.
It’s well worth a read.
“When we got there, we saw some Shaolin monks (wuseng) giving performances not in a stadium, but just in an open space outside the temple. As far as I can tell they were demonstrating some forms and hard qigong, iron shirt (tie bu shan), etc. My Polish friend and I had great fun ‘testing out’ the iron shirt guy – when he invited members of the audience out to test his iron shirt, I don’t think he was expecting to be punched full force in the stomach by two 6-foot Polish guys (laughter). It was at that point that I realised so-called iron shirt is not that special, most demonstrations of iron shirt are just a combination of timed breathing and muscle contraction, similar to what I had practiced in my early karate years.”
Below is a nice explanation video of the Yi Jin Jing by Shi Heng Yi of the Shaolin Temple Europe, recorded during a Qi Gong Retreat in July 2018 at the Shaolin Temple Europe located in Otterberg / Kaiserslautern in Germany.
I don’t practice this set myself, but I tend to think of it as a kind of expanded version of the Ba Duan Jin, a set I do practice. As with the Ba Duan Jin, you need to keep in mind the ideas of muscle-tendon channels, and the suit idea, when you practice all qi gongs. In fact, that’s exactly what the monk is explaining in the video – “when you do this exercise you must feel which part of the body it affects, which muscles and tendons it is stretching”.
Without the understanding of muscle-tendon channels and the suit, these are just repetitious exercises, but the understanding of what you’re looking for can transform them.
Here’s the explanation video:
And here’s the complete routine performed by Shi Heng Yi.
The 12 Exercise / Posture Names are:
1) Wei Tuo Presenting The Pestle (Frontways)
2) Wei Tuo Presenting The Pestle (Sideways)
3) Wei Tuo Presenting The Pestle (Upwards)
4) Plucking Stars On Each Side
5) Pulling 9 Cows By Their Tails
6) Displaying Claws and Spreading Wings
7) 9 Ghosts Drawing Swords
8) Placing 3 Plates On The Floor
9) Black Dragon Shows It’s Claws
10) Tiger Jumping On It’s Prey
11) Bowing Down In Salutation
12) Swinging The Tail