Kung Fu

The 1974 White House Rose Garden WuShu demo, with President Nixon, Dr. Kissinger

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I’ve actually only just noticed a comment on my Contacts page from January by Robert Lepper:

“I suggest you do an article about the 1974 historic visit to the United States by the elite Chinese National Wushu Team. There was a famous visit to the White House Rose Garden with President Nixon, Dr. Kissinger and other dignitaries. In October 2024 the team celebrated their 50th year celebration of the U.S. performances in Beijing and Qingdao City. After the U.S. demonstrations in 1974 they demonstrated in Great Britain (1975) and many other countries. These martial artists were the best of the best. It was the opening of China and Chinese martial arts to the world. Jet Li at age 11 was on this famous team.

There are many pictures available and a news video (poor quality) of the demonstration in the White House Rose Garden.”


Well, this actually seems like a good idea, especially since it was Jet Li who was demonstrating. I had a quick look online, and yes, there is a video of the event, showing a young Jet Li demonstrating a 2-man wushu form in front of President Nixon:


From what I can see, this looks like a version of the ‘Shaolin 2-man form’ that I learned years ago. Certainly some of the still postures – like the one in the video thumbnail cover – are postures I recognise.

Here’s a longer video of the event:


Nixon first visited Beijing in 1972, in an effort to start establishing relations with the People’s Republic of China, after years of diplomacy that favoured the Republic of China, based in Taiwan. The visit was a huge symbolic gesture. This 1974 visit looks like a return visit, with the PRC trying to push the image of Chinese Wushu to the West.

It’s interesting to think of how Wushu is being used here as a demonstration of China’s soft power, and there’s no sign of any Taijiquan. This was not long after release of Enter the Dragon, when Bruce Lee had introduced kung fu to the international stage for the first time. Li would later become famous as a kung fu movie star in his own right, starring in films such as Shaolin Temple, the single most influential feature film in Shaolin history, and the film that many people suspected to have caused the re-population of the Shaolin temple with monks and the creation of a major tourist centre in China. I’d recommend Matthew Polly’s book American Shaolin.


It’s such an interesting historical footnote to see both a young Jet Li and President Nixon interacting together, back in 1974.


What is the role of forms, or kata, in martial arts?

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Traditional martial arts, which are perhaps better described as “martial arts that are not sports”, tend to have a lot of forms, or kata. I’m thinking of karate, tai chi, wing chun, choy li fut, etc.

But what exactly is the role of kata, or forms? And has it changed over time?

In this new episode of the Heretics podcast I discuss the role of kata with Damon Smith who has extensive experience in various martial arts over decades.

It certainly became very trendy once MMA became a big deal to describe forms as useless, however, I think they do have uses, even today. As usual Damon has some pretty interesting insights into how forms have changed over time, and he can look back to the way they used to be trained in the 1980s compared to today.

Give it a listen!

Podcast.

Happy Year of the Snake

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What to do when your Snake Creeps Down

Hello! Happy Year of the Snake, dear reader. On an occasion such as this is would normally be customary for a tai chi blog like mine to do a little post about the influence of the snake on tai chi, kung fu and Chinese culture in general.

Snake is, after all, one of the five main Shaolin kung fu animals, one of the 12 main xing yi animals and frequently appears as a menu item in Chinese restaurants, er no, sorry, I mean, appeared in Kung Fu Panda!

But, no! I’m not going to do that; partly because it’s such an obvious thing to do that I’ve done it before, and I hate being predictable, or at least repeating being predictable, but also because I’ve just recorded an excellent conversation for my next podcast with Australian national treasure and sometimes-Chinese-martial-arts-practitioner, Simon Thakur of Ancestral movement about finding your inner, ancestral animal, including, of course, the snake, and I just need to find the time to get on with editing it so I can get it out to you lovely people.

I think that what Simon says about our human connection to snake-style movement is probably more valuable than whatever I’ve got to say on the subject of our slithering cousin. So, I’ll leave the snake talk until the podcast comes out!

Simon Thakur, trying to locate his inner snake while doing an impromptu bit of Fox Trot in The Bush.

In the meantime, while you wait for that podcast to properly percolate (all the best things take time) I’ll leave you with a thought. “Tai Chi is more than the techniques, it’s the jins that make it interesting”.

If you listened to my last podcast with the esteemed Alan Wycherley of ‘In Defence of the Traditional Arts’, you might be forgiven for thinking that I’m all about training tai chi techniques. Now, while I’ve no objection to practicing a Repulse Monkey or a Part Wild Horse’s Mane (or two), or even a Snake Creeps Down, I definitely agree with the statement that tai chi is more than the moves. In fact, I think we can probably agree that tai chi applications aren’t that great as martial techniques. There are (shock!) other martial arts that have more effective techniques. Hello, Brazilian Jiu-Jitsu, I’m looking at you. Hello, Choy Li Fut. Hello, Western Boxing. Hello, Muay Thai, stop hiding at the back! Yes, all these martial arts have techniques that I would probably put ahead of anything found in a tai chi form, regardless of style. They’re practical and effective. And yet, I practice tai chi. So, why is that?

What tai chi has, and emphasises over techniques, are the eight energies – the jins: Peng, lu, ji, an, etc.. What you are doing when you practice a tai chi form is emphasising energy changes using these eight over technique. Flowing from one to the other a bit like a river flowing along smoothly. Sometimes there are fast bits, sometimes there are slow bits, sometime the river turns one way or another, but its energy flow keeps going.

When I practice other martial arts, my emphasis is more on technique. When I practice tai chi I can relax and get more inside the movement and concentrate on the energy flow.

And of course, in tai chi push hands you get to interact your energy flow with the energy flow of another person in a live situation, and that’s extremely valuable for developing martial ability. Techniques are another thing.

Now, if the analogy of a river doesn’t work for you then think of something else… perhaps, a snake? Snakes can flow along smoothly, they can change direction sharply and they can be incredibly powerful or incredibly quick, as well as slow and suffocating. They’re a great example of energy changes.

Homework

In preparation for my next podcast allow me to recommend a documentary by professional paleontologist and evolutionary biologist Neil Shubin called Your Inner Fish. (He’s written a book of the same name, if you prefer to read about him). Snakes come out to play in episode two. Here you go:

Simple alignments for Tai Chi

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One of the first things I talk about when it comes to alignment is:

Head over shoulders
Shoulders over hips
Hips over ankles

These three are the basic alignments for standing upright at the beginning of almost all Tai Chi forms and looks something like this (ignore the arm positions):

Image taken from a free Zhan Zhuang course by Water Dragon Arts:

If one of these things is out of alignment then you are leaning forward or backwards, or your posture is out of whack.

It’s easy enough to keep these three alignments in a standing stance, but things can get more complicated in movement, and when you introduce forward and back-weighted stances. At that point I try and keep the following two alignments:

Head over shoulders
Shoulders over hips

The ankles can now be in different places, as reacquired by the stance.

It depends on the style of Tai Chi you do, but if you do a style that advocates a forward lean then you need to make sure that there’s a straight-ish line between your back foot and your head. If you do a style that doesn’t advocate a lean, then your back knee must be bent and you want to keep your body upright with your shoulders vertically over the top of your hips.

But the real answer is that no one style of Tai Chi only does things one way. Most styles contain some moves that lean and some that don’t. Wu style, for example: 

If you compare late Yang Cheng Fu to early Chen Man Ching postures, you can see that they are very similar, and are both trying to keep the head over the shoulders, over the hips:

While doing the tai chi form, take a moment to think: ‘where is my head in relation to my hips?’ You don’t want to be sticking your bottom out and destroying your alignment, which often happens in transition movements between postures:

A picture paints a thousand words, especially in Tai Chi. I recently found an incredible source of Tai Chi images drawn (I think) by Anthony of Brisbane Tai Chi.

Just scroll down the main page and look at the images – they’re great! Full of tips on alignment and posture for Tai Chi and Zhan Zhuang (standing practice).

One of Anthony’s best images for thinking about how alignment relates to the tai chi form is this one:

Anthony/Brisbane Tai Chi

I think that image very clearly shows head over shoulder over hip over ankle, and how easy it is to mess that alignment up once you start moving in Tai Chi. You basically want to keep the blocks aligned over each other.

Why?

As it says in the picture, if you align yourself correctly with gravity then your legs become the primary weight holders in the body. That means you can be more relaxed (Sung) in the upper body, so that you can use it to transfer force, instead of tensing up to hold weight that is misaligned. Plus, it just feels better.

Tai Chi and the art of occupying the other’s space

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You can think of the Tai Chi form as an exercise in claiming your space. We rarely think of the space we occupy or move around in as part of ourselves, but it is. We often let others take our space, or give it away needlessly. We move out of the way when people walk towards us in the street. Rarely do we stand our ground and own the part of the earth that is directly underneath us.

In tai chi push hands we learn to claim our space, to gently redirect people that want to come into it and also to take away other people’s space if we need to, and not let them get it back. In the tai chi form we learn to round out our movements, so that (as the classics say) there are “no hollows or projections” in tai chi. Your goal is to create a kind of sphere with your body, as if you were inside a giant beach ball. Your hands extend to the limits of the ball, and no further.

Finding your centre

In tai chi there is ‘finding your centre’ within yourself, but there is also ‘finding your centre’ when in contact with another person. When two people are in contact, especially if engaged in some form of conflict, they are rarely both in balance, usually the advantage lies with one person or the other. The one in control is usually the person who has made both people part of their ‘centre’. Viewed from above, they become the centre of the circle, around which the other person is orbiting.

In class today I was working on the ward-off posture. I think by far the best way to think about ward off, as a martial posture, is to think about having just slipped a straight punch over your right shoulder by moving your head and turning your body to your left, you then step diagonally into the space occupied by the other person, right under their armpit using the familiar ‘ward off’ posture to keep them off balance. You need to keep that full, rounded, ‘peng’ aspect to your arms here, and once you have them off balance, you never retreat or give up the ground you’ve taken. If you do then you’re simply giving them their balance back. You need to keep them off balance continually, so that they can’t recover and they end up open to strikes or to being knocked over.

That ability is one reason why, while strikes exist in Tai Chi, they’re not really emphasised in the form. Instead, in the form you’re continually learning how to take ground from the opponent and occupying it while remaining in balance. As a means of self defence, it is highly effective, but not easy to understand without feeling it, which is another reason why so many people are confused about how Tai Chi works as a martial art.

You can train Tai Chi with me in Bath/Bristol, and get better at standing on one leg, twice a week.

Listen to a podcast about this blog post.

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New podcast! The martial arts of Vietnam with Augustus John Roe

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Do you want to find out what traditional martial arts are practiced in Vietnam? Do you want to know what Tai Chi is like in Vietnam? And what Ho Chi Minh had to do with the development of the 24-step Tai Chi form? You do? Well, you’re in luck!

This episode of the Tai Chi Notebook Podcast features martial artist and author Augustus John Roe who lives and works in Vietnam. Enjoy!

Martial Arts Studies Conference, Cardiff June 2024, write up

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It’s really hard to do the 2024 Martial Arts Studies Conference justice in a write up. It’s an intense 3 days of thought-provoking lectures on all aspects of martial arts research that can open up huge vistas of unexplored subjects, ripe with possibilities for further study, or make you reevaluate what you think you already know about subjects you maybe thought were common knowledge. It’s attended by academics and researchers from all over the world and a few ‘civilians’, like myself, who are more populist writers or practitioners.

Maybe I could just recap a few of the things I learned after three days in Cardiff of having my preconceptions about martial subject gently poked, enlightened and challenged.

Firstly, I’m now much more informed on the subject of trauma-informed martial arts practice thanks to the excellent work of Georgia Verry who runs the Conscious Combat Club project and podcast who, as well as delivering a paper, ran a workshop on trauma-informed kickboxing. There’s also Dr Alex Channon and his work with the Love Fighting Hate Violence project on the same subject. I now have a new appreciation of the brilliance of 80s martial arts hero Cynthia Rothrock thanks to a paper delivered by Prof Meaghan Morris of the University of Sydney, and I have new ways to think about questions that used to fox me, like “why do you still do martial arts?”, thanks to a thought-provoking paper delivered by Wayne Wong. Daniel Mroz delivered new perspectives on martial arts history and Adam Frank gave me new ideas on how to think about qi. Scott MacMillan gave me some ideas about why Brazilian Jiujitsu answers life’s existential questions. And Tran Khải Hoài gave me insights into how Communist revolutionary Ho Chi Min may have influenced Taijiquan practice in ways we haven’t thought about. Yes, really!

But that’s just scratching the surface. The full schedule is here. I didn’t get to listen to all the talks as they were usually happening in parallel, so you had to choose which one to go to. However, I’m hoping they were all recorded and all appear on the martial arts studies YouTube channel soon so I can pick up the ones I missed.

But really it’s the meeting of such a great bunch of people and the social elements that really make the event special. From an impromptu push hands session opposite the Millennium Stadium with Ian Sinclair from Canada to little demonstrations of martial technique here and there in pubs and restaurants in the evening (thanks Randy Brown!), it’s an invaluable opportunity to meet with really experienced practitioners of martial arts from all over the world. I got to talk at length with practitioners about Okinawan Karate, French Boxing Savate, Vietnamese martial arts, Capoeira, Mantis Boxing, Taijiquan, Ninjitsu, Aikido, Brazilian Jiujitsu, MMA and probably many more that I’ve forgotten, and regardless of the martial art, the positive conference vibe remained strong.

And let’s not forget the brilliant Capoeira demonstration that sought to teach us the difference between the Regional and Angola styles.

I didn’t want the conference to end, it was great to meet old friends and make new ones, and as one participant said “end of the MAS Conference Blues are a real thing”.

I’ve made lots of contacts so hopefully there will be more new faces appearing on my podcast in the weeks and months to come. Thanks to Paul Bowman for doing a great job organising it. Here’s to the next one.

Retreat to Ride Tiger

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There are lots of tigers in Yang style Tai Chi. There’s ‘Bend Bow to shoot Tiger’, which is a pretty obvious punch, and each section of the forms ends with the classic ‘Carry Tiger to Mountain’. Today we want to look at ‘Retreat to Ride Tiger’.

Photo by Pixabay on Pexels.com

In Yang Cheng-Fu-like forms it looks like this:

It looks a lot like ‘White Crane spreads wings’ on the surface, but the hands are at a slightly different angle. Also you are always stepping back when doing this move and the intention of what you’re doing is slightly different to White Crane, too.

One aspect of the move I really like to emphasis is the Kou or ‘Shoulder Stroke’ that it contains. Rather than striking forward with your shoulder you are striking behind you as you step. I happened to be near a hanging heavy bag the other day so took the opportunity to show where the power goes in the move, like this:

Rather than thinking of it as striking with just the shoulder itself, it’s more like the whole of your back is the striking surface. In fact, the literal translation of Kao is not “shoulder stroke” as it’s normally written, it’s “lean”, so that gives some more insight this member of Tai Chi’s 8 energies.

Obviously, ‘Retreat to Ride Tiger’ isn’t just about striking behind you, the hands and legs can be doing applications facing forwards at the same time. Here are some ideas:

“I tried Tai Chi and it’s not what I expected”

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This is a nicely made video about Tai Chi Push Hands:

Some quick observations:

1) I quite like the emphasis on feeling where the opponent is during push hands instruction – I think this is bang on.

2) “Sensei Seth” correctly identifies very quickly that push hands competitions are very, very, similar to Sumo. And if you’re good at Sumo then you should be good at this, and indeed, he is.

3) There are some fascinating insight into the teaching process here. Seth seems to do a few things that are “wrong” according to the laws of Tai Chi, but are working (i.e. sticking his butt out and leaning forward), however, he gets corrected by the instructor to stop doing it. I just find that interesting. The “Stop cheating, it makes you win!” mentality is rife all over the Tai Chi world. It’s one of the reasons I avoid push hands with people unless the conditions are right (i.e they are the right sort of person). I much prefer the “Hey, if it works, then it works! It’s up to you to figure out what I’m doing and stop me” mentality of BJJ.

4) In the end, with competitive push hands, the better wrestler always wins the exchange (for example, when they are doing the ‘foot outside the square’ push hands). So, if you want to be good at competitive push hands then why not just learn some wrestling? You can even keep things Chinese by learning Shuai Jiao.

5) I like this coach – he’s clearly skilled, but competitive push hands is the problem here. Even this coach gets super tense when under pressure because of the need to win. I just think that Push Hands is better used as a training exercise for learning TCC skills – when it gets competitive, all the principles go out the window (unless you are very, very, very very good).