Daniel Mroz on defining Chinese martial arts – a podcast conversation

Daniel Mroz

After battling hard through various technical challenges I’ve finally managed to create a Tai Chi Notebook podcast with humans on! (Previous episodes of my podcast have been a robot voice reading my blogs). I’m pleased to have my good friend Daniel Mroz on board for my first real episode where we have a conversation about what Chinese martial arts might be.

You can find it on all the usual places you find podcasts – search for The Tai Chi Notebook on Apple podcasts, Spotify, etc.. or here’s a link:

Spotify: https://open.spotify.com/episode/6tuptU … c1bb1b468f
Apple: https://podcasts.apple.com/gb/podcast/t … 0530576920
Web: https://anchor.fm/graham47/episodes/Ep- … /a-a68h1lv

What is the relationship between Chinese martial arts and Chinese theatre, religion, mime, serious leisure activities and military tactics? How do all these factors intermingle and produce the arts we have today? In this wide ranging discussion between Graham Barlow of the Tai Chi Notebook Podcast and Daniel Mroz, Professor of Theatre at the University of Ottawa we tackle all these subjects and more. As well as being a professor of theatre, Daniel is also a Choy Li Fut and Taijiquan practitioner and has spoken at the Martial Arts Studies conference and contributes articles to various journals including the Martial Arts Studies journal.

Podcast Notes

1)
That Daniel Mroz quote in full:


“By ‘Chinese martial arts’, I refer to folkways that began to assume their present forms from the mid 19th to the early 20th centuries, at the end of the Imperial, and the beginning of the Republican periods of Chinese history. These arts train credible fighting abilities through exacting physical conditioning; through partnered, combative drills and games; and through the practice of prearranged movement patterns called tàolù  套路 (Mroz, 2017 & 2020). For millennia, up end of the Imperial period in 1912, China explicitly understood itself as a religious state (Lagerwey 2010). Communities across China not only used their martial arts to defend themselves, they performed them as theatrical acts of religious self-consecration, communal blessing, and entertainment in an annual calendar of sacred festivals (Ward, 1978; Sutton, 2003; Boretz, 2010; Amos, 2021). Modernization, and secularization at the end of the Imperial period removed the original context of these practices. The Chinese martial arts were transformed over the course of the 20th century by both their worldwide spread, and by their ideological appropriation by the Chinese Republic of 1912, and the Communist state that succeeded it in 1949 (Morris, 2004). Their religious heritage forgotten in many social, and cultural contexts within greater China, and internationally, the arts we practice today combine a legacy of pragmatic combat skill, religious enaction, participatory recreation, competitive athleticism, and performed entertainment.”

2)
THE STRENUOUS LIFE PODCAST WITH STEPHAN KESTING
334 – Ten Guru Warning Signs with Dr Dr Chris Kavanagh
https://kesting.libsyn.com/334-ten-guru … s-kavanagh

3)
Peter Johnsson
http://www.peterjohnsson.com/higher-und … reckoning/

Peter Johnsson – long video: https://www.youtube.com/watch?v=J6N3x_4 … 3gQGXHpgSG

Peter Johnsson – short video: https://www.youtube.com/watch?v=FiSoLMx3v0I

#71 Xing Yi (part 13) The Water Chestnut Mirror

This episode explores the connection between the martial arts of the great Song generals’ tradition and Chinese theatre, which emerged during the height of the Yuan Dynasty.

Xing Yi Part 13, The Water Chestnut Mirror

I would also recommend this short, funny and smart crash course on Chinese Theatre as background ‘reading’:

A lot of the “x number of shoes, y number of hairdos” regulatory stuff was added later by the Confucians from the Ming onwards. In the Yuan it was much more Vale Tudo in spirit 🙂

To see some Yuan Dynasty plays we talk about in action I’d recommend this page, which also gives some more background on Yuan Zaju plays.

A mural from a temple in the Shanxi province, dated 1324. It shows zaju actors and musicians. Image source: The Archives of Finland–China Society.

Xing Yi part 12 Rocks and Bamboo

In part 12 we pick up our series on Xing Yi with a new dynasty, the Yuan, examining the social changes that Mongol rule brought to China and their implications for the martial arts through the lens of the artwork of the period.

Damon also covers a bit on Marco Polo and covers one of the central points of the podcast series, that he’s building the historical case for the connection between Xing Yi and Yue Fei – essentially the idea that it’s not a fiction, joke or a legend – it’s just that people are framing the question in the wrong way.

Gongki’s Horse painting, which he uses as an example of Chinese political art from the period:

Gong Kai (1222-1307?), Emaciated Horse, in [Yuan shidai no huihua]. Tokyo (Nara?): Yamato Bunkakan, 1998. pl. 1, p. 26. Collection of the [Daban shili meishuguan]. ink on paper, 29.9 x 56.9 cm.

How much water should you drink a day?

We are constantly bombarded with the idea that we need to drink quite a large volume of water a day. Have you ever tried to drink the recommended 3 litres, or 8 cups, of water in a day? It’s actually pretty hard to do, and you’ll end up going to the toilet constantly. At least, that’s my experience!

After listening to the new Body Stuff podcast from TED Audio Collective by Dr Jen Gunter I now realise that this commonly accepted myth was spread by bottled water and sports drink companies using bogus science. It’s a better idea to simply drink when you feel thirsty – unless you have some sort of medical condition.

Give the podcast a listen, because it’s pretty good. You can find it on Apple Podcasts.

Here’s the info on the show:

Body Stuff with Dr. Jen Gunter, the newest podcast from the TED Audio Collective, launches on May 19. Body Stuff will bust the lies you’re told — and sold — about your personal health. Body Stuff is hosted by celebrated OB/GYN, pain medicine physician and TED speaker Dr. Jen Gunter, who has made it her mission to combat health misinformation online and isn’t afraid to take on the world’s biggest peddlers of it — from lotions and potions to diets and detoxes.

Each week’s episode debunks a medical myth and turns us into experts by demystifying how our bodies work. For example, did you know that you don’t actually need eight glasses of water a day? Or that you can’t “boost” your immune system? With humor and wit, Dr. Jen Gunter is here to educate you, while also disproving myths that have been around for centuries. 

TED

The Tai Chi Notebook Podcast

Thanks to the wonders of modern technology your favourite Tai Chi blog is now available in podcast form. No, not that one, I mean, my blog, The Tai Chi Notebook.

A glorious computer voice called Cassidy now reads my blog posts and publishes them as an audio podcast, so I don’t have to. I’m still playing around with the system, so I imagine it will start badly and get better 🙂

Anyway, my first episode, my review of Kent Howard’s Introduction to Baguazhang is now live as a podcast episode. Enjoy!

RSS feed if you want to subscribe.

Anchor.fm page

Spotify page (available in a few days)

Reiki and the Suicide Monks

I made a special guest star appearence on the Woven Energy podcast last week to join Damon Smith for a chat about Reiki and suicide monks.

Continuing our examination of the spiritual traditions that gave rise to modern Reiki, this episode looks at the Buddhist tradition of Mount Kurama. The tradition of Mount Kurama is one with strong shamanic undertones, and is one of the two primary lines of Buddhism that influenced Usui. We also talk about the related suicide cult of Kiyomizu-dera in Kyoto.

Woven Energy

A bit of an odd subject, and not something I know a lot about, but I the episode was really about how organised religions can convince people to do some very wacky stuff, which is more my bag.

Yi Quan people (usually) don’t understand Xing Yi

Edit: I wrote a second post that added a clarification about the difference between what I meant by “weight” and “weighted leg”, because I realise that this post isn’t very clear on the subject. I’ve left the rest of this post unedited.

Here’s the good news: our recent podcast about Yi Quan seems to have upset far fewer people than our one about Baguazhang. In general, reaction to the Yi Quan podcast has been positive. It’s a good point to remind people that our Heretics podcast isn’t a history podcast, it’s a podcast about the miasma – cultural assumptions and how they have played a role in the development of various arts, religions and institutions throughout history. The episode was as much about Xing Yi as it was about Yi Quan, and also the kind of tradition of criticism that the founder, Wang Xiangzhai, baked into it.

As we discussed in the podcast, Wang Xiangzhai’s criticism can be viewed as “the spirit of the times” speaking through him. At the time it was required to talk down to “rotten old traditions”, of which Xing Yi was an example (China has never really had a free press). You can read some of Wang’s criticisms in his article “Essence of Boxing Science”, which is an interview he did, turned into an essay.

He says about Xing Yi: “ It must be noted that Xing Yi Quan in its orthodox form had no such thing as the Twelve Forms (Twelve Animals), though their should be twelve forms of the body. Nor did it have the theory of mutual promotion and restraint of the five elements.”

Actually I’d agree with him – that is the way Xing Yi should be practiced. The animals are not “forms”. That was the general theme of the podcast – there’s very little difference between Yi Quan and Xing Yi done right.

However, Yi Quan people still like to criticise 🙂

I read a post recently by a (good) practitioner of Yi Quan criticising Xing Yi’s punching method – using Beng Quan as an example.

“It still baffles me when I see xingyiquan people Beng Chuan without turning the waist and shoulders, even worse almost hopping on the rear leg as all the weight is held back.”

I’d agree with him – you need movement in your body using your spine as an axis – it’s no use being like an inflexible lump of wood. And, yes, “hopping” is another mistake. Don’t hop.

But we do hold the weight on the back leg in a lot of movements. This is the hardest thing (I think) for people new to Xing Yi to understand. How can you generate force without putting your weight into the front leg?

That’s a good question to ask a Xing Yi practitioner, because they should be able to punch you and show you 🙂

“Every punch must have 2 important components:
Shift of weight. [to front leg]
Transference of kinetic chain from lower to upper extremity.”

Well, yes, but with caveats. That’s certainly how you generally punch in boxing, or in other martial arts. However, let’s remember that people in these arts can still generate power while retreating – enough to knock somebody out. Anderson Silva famously knocked out Forrest Griffin, while stepping backwards to avoid his rushing attack. So the situation is clearly not as cut and dried as some would like.

I’m not really into hitting things much these days – I prefer the joys of pyjama wrestling on soft mats (with minimal brain injury), but I thought I’d make a short video to show you can generate force without putting your weight into the front leg, as Xing Yi teaches us, and that maybe we should all keep an open mind on the matter.

If you look at my front leg in the video you’ll see I never put my weight onto it. It steps out in front of the body, then the back leg catches up. Obviously, it holds some weight, but the weight is ‘held’ mainly on the back leg. This is how you’re supposed to do it in my line of Xing Yi. You can, of course, also do it with a weighted front leg, but the principle of “Chicken Leg” is that one leg holds the weight – it doesn’t matter which one – and we don’t need to transfer the weight between legs to generate force, instead, the force comes from correct stepping and body movement (Dragon body).

Yes, I know need to get a bag to hit, but instead I’ve got a tennis ball on a string to play with (we go with what we’ve got available, right?) I’ll get a bag at some point and do another video.

Why do it like this? Good question.

i) You arrive quicker to where it is you’re getting to – it’s much more “all at once” than having to transfer weight between the legs. It’s sharper and better if you’re looking to intercept the opponent (Jeet) which matters most in weapons fighting, where timing is much finer than with fists (Xing Yi comes from weapons, spear being the main one).

ii) You keep your body “back”, which is better for defence. Leaning too much into things is a great way to get knocked out, as we all know. Or with weapons, you want to keep the vital organs as far back as you can. If you look at the Xing Yi Classics it says things like “do not wither and do not be greedy” – you need to keep a reserved attitude to fighting, especially with weapons.

In other news – the blossom is coming out on the cherry tree – you might be able to see it in the video. Spring is here!

More lockdown listening on martial arts

As lockdown lingers around the world martial arts classes are facing a tough time, however, there are plenty of stimulating online discussions on martial arts to listen to. Here are three discussions I’ve listened to recently that have tickled my cerebral tentacles. Maybe they’ll do the same thing for yours?

Photo by Brett Jordan on Unsplash

First up – Viking martial arts!

This discussion between Paul Bowman and Qaus Stetkevych on so-called “Viking martial arts” is really interesting. It’s a world I know nothing about (although I did write an essay once on the connection between Xing Yi and old shield work )

Podcast link:

Youtube link:

It’s very interesting to listen to the criticisms that Qays makes in the above discussion then watch this clip I found of “Viking martial arts/Glima” – (which was litterally the first clip that came up when I searched for Glima). This martial art looks exactly like No Gi Brazilian Jiujitsu to me…

Xing Yi and Yi Quan

Next is Byron Jacobs excellent Drunken Boxing Podcast in which he interviews Yi Quan practitioner James Carss. What I like about this discussion is that it’s very down to earth and real about what it’s like training martial arts in China and Hong Kong. It’s not all smiles and rainbows and it was interesting hearing about the animosity between different groups of the same martial art that naturally spring up. Plus you get to find out more about the connections between Yi Quan and Xing Yi Quan, and how they are a lot closer than a lot of people think.

Podcast link:

Youtube link:

Byron recently added a new video to his series on baguazhang basics, that’s well worth a watch:

James Carss has an interesting video that introduces Zhan Zhuaung:

The Golden Elixer

Finally, here’s a bit of an older discussion, but fascinating if you are interested in the connection between Chinese theatre and martial arts. Scott Park Philips is in conversation with Daniel Mroz about all the subjects you find in his latest book. Scott never gives the same answer twice, but it’s an interesting slice into his mind. In particular he answers the question “What is the Golden Elixir?” at 41.44.

YouTube link: