Denigrating Chen style?

Photo by Andrea Piacquadio on Pexels.com

Interesting comment from Mike Sigman on my blog. No, that’s not him in the picture, I just though it was a funny picture 🙂

….The real problem with a lot of these theories that basically denigrate the Chen-style Taijiquan as being “only an offshoot of something else” or “it’s really a Shaolin art” is that none of the westerners engaged in those musings have any minor skills in how to move the body in the way that the Chen-style Taijiquan does. It really doesn’t matter that “Chen-style has umpteen of the same techniques/moves shown in the XYZ style of martial-art” 
 the essence of the Chen-style Taijiquan is in how the body moves, using jin, qi, dantian, and silk-reeling.

So, if you listen to our Heretical Hypothesis, I think you’ll find that although we’re challenging the usual narrative of the origins of Taijiquan, we’re not really denigrating Chen martial arts, calling it an offshoot of something else, or “Shaolin” (as if that’s so bad). In contrast I think it’s actually quite positive about what it really is. It’s the brand name “Taijiquan” that is looking less authentic, not Chen village martial arts.

Chen village has a long history of marital prowess. If we’re talking around the time period we’ve got up to in the podcasts (- around 1900) – then at this point I’d say Chen village style is a genuine badass martial art – it’s practitioners are bodyguards, militia fighters and people with the name Chen are tracking down and fighting “bandits” (Or “freedom fighters” – as usual, it often depends which side of history you are looking at them from) for the Ching as ‘guns for hire’. In contrast, the “Taijiquan” passed down from Yang in Beijing is a kind of court-sanctioned entertainment. Sure, Yang had genuine skills but it’s much of a domesticated experience compared to the “in the wild and doing it” Chens.

From my point of view that’s not denigrating it at all, it’s lifting it up. Around 1900 you’ve got people like Chen Yanxi being employed full time as a martial arts teacher in Shandong by General Yuan Shikai because of his reputation as a badass fighter.

On the second point – I agree – the Chen style moves differently, especially the silk reeling, and it that very well might be because Yang LuChan never even went to Chen village. That explains so much.

Forget Taoism, is Tai Chi Chuan really a Neo-Confucianist martial art?

Confucian Scholar Zhu Xi -(1130-1200AD. This man has a lot to answer for 🙂

Our recent Heretics Podcast series on the history of Tai Chi Chuan keeps generating interesting feedback. Here’s a particularly good one I got today:

My compliments to Damon and Graham on their podcast about the origins of Tai Chi Chuan. I particularly liked mapping martial art history to the general history of the period. From a strict reading of the available evidence the podcast cannot be faulted. Where there maybe problems is in the interpretation provided, which it could be argued commits the error of anachronism. Here is a good quote from a Wikipedia article: “In historical writing, the most common type of anachronism is the adoption of the political, social or cultural concerns and assumptions of one era to interpret or evaluate the events and actions of another”. The interpretation basically argues that Tai Chi Chuan was a bonding exercise in the Imperial Court because of the political decline in the Qing state. A lot more evidence is needed to support the claim that Yang Lu Chan, probably an illiterate low-class bonded servant, was used like an external consultant to go into a large organization and help reassert tradition Confucian values. That looks like an interpretation of Chinese History filtered through the prism of 21th century corporate culture.

Well, that’s an interesting idea. I really like well thought out criticism, especially when it’s delivered so succinctly.

Let’s explore a few of these ideas, and see where it takes us.

I see our podcast on the Myth of Tai Chi as “what Damon thinks really happened based on the available evidence”.

So, there will always be a lot of interpretation involved. History is essentially how you join the dots together. I think what Damon is doing is joining the dots together in a new way that makes a lot more sense than the stories we have been given by our teachers (in some senses the last people you should be asking about real history are martial artists), which all have parts that don’t make sense:

1. The original story we were given was about Tai Ch Chuan (Taijiquan) being created by a Taoist immortal called Chan San Feng. He’s a semi-fictional character who appears at various times throughout Chinese history. Most people who don’t believe in spirits of the ancestors walking amongst us (a common belief in China then) now dismiss this story. Li Yiyu even removed it from his hand written copy of the Tai Chi classics as early as the 1880s. I think this is one for the flat-earthers out there 🙂 

2. The next story is that he learned in Chen village where Tai Chi was created by Chen Wanting in the 16th Century. This story was officially adopted by the General Administration of Sport of China who awarded Chen Village, Henan, a commemorative plaque acknowledging its status as ‘the birthplace of taijiquan’, in 2007 (See Fighting Words, Wile, 2017, Martial Arts Studies (4).) however this plaque had to be removed after just two months after a “firestorm” of new claims to the Tai Chi $ appeared, including the newly ‘discovered’ Li family documents.

But apart from that the story is full of holes. i) For a start nobody in Chen village used the name “Taijiquan” until long Yang used it. ii) There is also no actual evidence he was in Chen village at all. iii) Wu Yuxiang and Yang Luchan meet in Beijing for the first time, yet both have separate connections to an obscure village in China? iv) Then there’s the issue of why they taught an outsider like Yang, but only him – they didn’t teach anybody else, ever! v) Then there’s all the extra content (lots of other forms, weapons, etc) not found in Yang style, but found in Chen style, vi) Chen village records crediting their martial art to the earlier Chen Bu, not Chen Wanting, vii) the emphasis on silk reeling found in Chen style
 the list goes on and on. It just doesn’t add up. However, it still needs explaining why the Chen old form and the Yang long form follow the same pattern (see the upcoming part 6 of Heretics podcast series for Damon’s explanation).

3. There are other theories of Tai Chi Chuan being ancient – really ancient, sometimes a thousand, or two thousand years old (that’s the White Cloud Temple claim) – and coming from Wudang mountain, via various unverifiable people, and ending up in the hands of Yang LuChan somehow – but nobody takes these claims seriously.

Of course, Damon isn’t saying that Tai Chi Chuan was created out of thin air, but rather it is the content of Northern Shaolin arts that Yang LuChan (a good martial artist) knew, adapted to fit certain traditional Confucian Court values thanks to Wu Yuxiang, and with a backstory added by Wu to make it appear ancient.

A class-based society

Chinese society was class-based, and teaching martial arts would make Yang LuChan the same class as theatre performers,  i.e. the lowest of all classes. 

The caste system is based on the Four Occupations of Confucianism: https://en.wikipedia.org/wiki/Four_occupations

Theatre performers and martial artists are lower than no.4. They were “mean people”: jiĂ nrĂ©n.

The noun is also used to mean “bitch” or “bastard”. The pronunciation can be found here:  https://en.wiktionary.org/wiki/%E8%B3%A4%E4%BA%BA#Chinese

From the Wikipedia article above: “There were many social groups that were excluded from the four broad categories in the social hierarchy. These included soldiers and guards, religious clergy and diviners, eunuchs and concubines, entertainers and courtiers, domestic servants and slaves, prostitutes, and low class laborers other than farmers and artisans. People who performed such tasks that were considered either worthless or “filthy” were placed in the category of mean people (èł€äșș), not being registered as commoners and having some legal disabilities.[1]”

So, Yang LuChan was a Jianren, yet, there he was inside the Forbidden City, teaching (and mixing with) the most high-level people in the system.

Wu Yuxiang and Yang Luchan

I think this can be verified: The only students we know he had were all in senior positions, like Wu Yuxiang, and Wu Quan Yu, for example. Those are the facts of the matter, and viewed through our eyes that does make him something like an external consultant, but only superficially. Compared to a consultant of today the power dynamic would be very different. I imagine Yang would be doing a lot of bowing and kowtowing to these senior people he’s teaching.

But is that anachronism or just a reading of the facts? The teaching of martial arts as a hobby or binding action for the court, was indeed a unique innovation, but I don’t think somebody of the lowest class being used to entertain the court is that unusual at all – there is plenty of historical precedent: Theatre entertainers, for example, were regularly brought to the Forbidden City to entertain the Confucian court, throughout Chinese history:

From: https://en.wikipedia.org/wiki/Theatre_of_China

“The Ming imperial court also enjoyed opera. However, most Ming emperors liked to keep their music entertainments inside the palace.[24] They performed for the court. ”

Jingxi (Peking Opera) was certainly popular in the Ching court too:

“In music, the most notable development of the dynasty probably was the development of jingxi, or Peking opera, over several decades at the end of the 18th century. The style was an amalgam of several regional music-theatre traditions that employed significantly increased instrumental accompaniment, adding to flute, plucked lute, and clappers, several drums, a double-reed wind instrumentcymbals, and gongs, one of which is designed so as to rise quickly in pitch when struck, giving a “sliding” tonal effect that became a familiar characteristic of the genre. Jingxi—whose roots are actually in many regions but not in Beijing—uses fewer melodies than do other forms but repeats them with different lyrics. It is thought to have gained stature because of patronage by the empress dowager Cixi of the late Qing, but it had long been enormously popular with commoners.” – from https://www.britannica.com/topic/Qing-dynasty

So, I think we can establish Yang in the position we say he is in (the Royal Court). But let’s get to the meat of the matter!

“A lot more evidence is needed to support the claim that Yang Lu Chan, probably an illiterate low-class bonded servant, was used like an external consultant to go into a large organization and help reassert tradition Confucian values.”

I agree, but it’s hard to know what form that evidence could take? The Smith hypothesis is that it was Wu Wuxiang who was performing some sort of re-instigation of Confucian values, and Yang LuChan was just being used as a gun for hire. We know he was there, in the royal court, but the question of what he was doing there is the key issue.

Tai Chi Chuan as Neo-Confucianist martial art

Everybody knows Tai Chi is based on Taoist principles, starting with Yin and Yang. But wouldn’t you expect the martial art Yang and Wu came up with to be more Confucian in flavour than Taoist? Why then was Yang teaching a martial art that people instinctively know is Taoist in philosophy? Tai Chi Chuan (a soft, internal martial art) is, after all, based on those great symbols of Taoism – the Yin Yang symbol, the 5 elements, the 8 Bagua, etc..

So, how do you explain that contradiction? Well, I can add one more piece of evidence. I wouldn’t call it a smoking gun, but it does add to the overall narrative:

If we look at the content of what he was teaching (Tai Chi Chuan) – then you’ll find it kind of is based on traditional Confucian values, rather than anything Taoist. I’ll explain
..

People talk about Tai Chi as being Taoist a lot, but Taoism is this shaggy, messy, nature-loving, outdoorsy, shamanic, magic, smokey, rich, spiritual, earthy thing involving things like spirit possession and exorcism – it’s not very Confucian at all. Or indeed, very like Tai Chi Chuan.

The best description of Taoism I’ve heard was by Bill Porter (Red Pine), who likened Taoism to “house-broken shamanism”.

The philosophy we find in Tai Chi Chuan – yin and yang, 5 elements, 8 powers, etc. uses the symbols of Taoism, but is all very heavy on categorisation – it’s very clean, neat and orderly. In fact, very
 Confucian!

Or, rather, it’s what scholars call “Neo Confucian”. At the time that Buddhism was gaining popularity in China, as a threat to Confucianism, the Confucians needed something to combat it, because they had nothing very “spiritual” in their religion, whilst Buddhism and Taoism were both full of spiritual stuff.

The Confucians plugged the gap with what became known as Neo-Confucianism. Neo-Confucianism adopted the signs and symbols and ideas of these more spiritual religions (yin and yang, Taiji symbols, 5 elements, etc), but it was really just repackaged Confucianism 101. The scholar responsible for all this was Zhu Xi, who lived during the Song Dynasty, from 1130-1200AD. He effectively sanitised all these Taoist ideas and related it all back to the 4 classic texts of Confucianism. His impact in his lifetime was not so great, but to later periods it was absolutely huge – his ideas formed the basis of the Civil and Martial exams that people had to pass to enter government/senior positions, for example.

Zhu Xi

Damon did an excellent episode about Zhu Xi’s impact on Chinese society and martial arts as part of the Heretics Xing Yi series (the same Neo-Confucian philosophy ends up being dumped on Xing Yi during a later period). 

Here it is: https://www.spreaker.com/user/9404101/20-xing-yi-part-5

Give that episode 5 of Xing Yi a listen. To me it makes sense.

I should add some rumour control, since I think that Tai Chi people will generally not like this Neo-Confucian angle:

1. I don’t think saying that the philosophy of Tai Chi is actually Neo-Confucian, rather than Taoist is a diss to the art – an actual Taoist martial art I imagine would not be as practical! It would be messy, unfocussed and a bit wild. A martial arts form repeated over and over in the same sequence each time would probably be a strange concept to a Taoist!

2. I also don’t want to diss the Chen family – their reputation during the Ching Dynasty was of them being practical and expert martial artists who actually used their martial skills to fight bandits and escort caravans. They were the real deal! Their family martial art is older than the appearance of Taijiquan in the 1850s by far – and as any good Confucian knows, older is always better! 🙂

What matters to me about Taijiquan is that it works, not what you call the philosophy behind it.

The Taiping Rebellion and its influence on Taijiquan

This is Hong Xiuquan, the extremist Christian who orchestrated the biggest and most bloody civil war in history, the Taiping rebellion. It happened around the same time as the American civil war, and shared a lot of similarities.

Hong Xiuquan

The Taiping’s had some previously unimaginable beliefs in China, like equality for men and women (women fought in their army, which reached a million people) and no private ownership of land.

From the Encyclopaedia Britannica:

Taiping Christianity placed little emphasis on New Testament ideas of kindness, forgiveness, and redemption. Rather, it emphasized the wrathful Old Testament God who demanded worship and obedience. Prostitution, foot-binding, and slavery were prohibited, as well as opium smoking, adultery, gambling, and use of tobacco and alcohol. Organization of the army was elaborate, with strict rules governing soldiers in camp and on the march. For those who followed these rules, an ultimate reward was promised. Zeng Guofan was astonished when, after the capture of Nanjing, almost 100,000 of the Taiping followers preferred death to capture.

https://www.britannica.com/event/Taiping-Rebellion

Under the Taipings, the Chinese language was simplified, and equality between men and women was decreed. All property was to be held in common, and equal distribution of the land according to a primitive form of communism was planned. Some Western-educated Taiping leaders even proposed the development of industry and the building of a Taiping democracy. The Qing dynasty was so weakened by the rebellion that it never again was able to establish an effective hold over the country. Both the Chinese communists and the Chinese Nationalists trace their origin to the Taipings.

https://www.britannica.com/event/Taiping-Rebellion

We believe these historical events contributed directly to the creation of Taijiquan. Without the Ching court being rocked to its core respected Confucian court officials like Wu Yuxiang and his brother would not have even interacted with a low-level martial artist like Yang Luchan. But the Taiping rebellion was not the only crises happening in China at the same time. A dynasty can survive one crisis, but several at once? No chance. The Yangtze river flooded leading to a catastrophic famine and loss of life and the British and the French started the second Opium war. There was also the Nian rebellion in the North.

The Taiping’s were eventually defeated with help from the Mongols and British. (The British wanted to sell opium, to sustain their empire and the Taiping’s were against that). If the rebellion had suceeded, just imagine the different China that would have emerged.

We cover all this in the 3rd part of your history of Taijiquan, and the crucial moment when the Wus first meet the Chens:

The Myth of Taijiquan part 1

The Myth of Taijiquan part 2

The Myth of Taijiquan part 3