What’s your biggest fear in Tai Chi

No, it’s not scary clowns… or is it?

I often wonder what most people’s biggest fear is in Tai Chi. Or what it is that stops them trying it out? Is it looking silly? Is it the fear of other people in the class looking at you as you struggle to get the movements? That you won’t fit into the group?

Believe me, everybody feels the same. You do need some willingness to be open to new experiences if you’re going to try a Tai Chi class for the first time, but just say to yourself, what’s the worse that could happen?

You can learn Tai Chi online these days, but nobody I’ve met in real life who learned online had much of a real practice, as far as I could see anyway.

To learn Tai Chi you need somebody to point out everything you’re doing wrong, because on your own, you won’t see it. Even if you know that your knees aren’t supposed to bend inwards, and are supposed to be in line with your toes, you’ll let your knees collapse in without realising your doing it.

Often those ‘light bulb’ moments in Tai Chi occur when somebody points out what you’re doing wrong without even realising you’re doing it, and for that you need a teacher.

If you’re thinking about starting Tai Chi classes in the new year then dig deep and give it a go. You won’t be the only one who is a bit nervous, and once you realise that everybody else is just as worried as you are you can relax a bit and enjoy it. Believe me, your teacher will simply be pleased to see you. What have you got to lose?

“Some karate bullshit that looks silly but works”

Tai Chi as a grappling art

Doing both BJJ and Tai Chi I love seeing moves from one art crop up in the other. Imagine my surprise when I happened across this BJJ seminar clip where the coach seems to be cycling unawares through a variety of Tai Chi moves.

At one point he says that one of the moves looks like “some karate bullshit that looks silly but works”, which is funny because you could describe Tai Chi like that as well 🙂

If you do Tai Chi or Bagua or pretty much any long fist style Chinese martial art, or probably Aikido, you’ll recognise these moves. I’ll give them Tai Chi names:

Breakdown

It starts with a grip break, that is similar to Hidden Hand Punch from Chen style (0.00- 4.00)
The first technique from here is like Needle at Sea Bottom (4.17- 6.15)
The second is like Diagonal Flying (6.15 – 9.20)

After that it becomes more traditional wrestling/judo takedowns, but it was nice to see some Tai Chi appearing fora minute there.

While the rest of the video is much more of the usual jiu-jitsu fair, the initial positions have a strong similarity to Tai Chi moves, and could definitely help Tai Chi practitioners become more aware to the martial potential of Needle at Sea Bottom and Diagonal Flying.

Simple alignments for Tai Chi

One of the first things I talk about when it comes to alignment is:

Head over shoulders
Shoulders over hips
Hips over ankles

These three are the basic alignments for standing upright at the beginning of almost all Tai Chi forms and looks something like this (ignore the arm positions):

Image taken from a free Zhan Zhuang course by Water Dragon Arts:

If one of these things is out of alignment then you are leaning forward or backwards, or your posture is out of whack.

It’s easy enough to keep these three alignments in a standing stance, but things can get more complicated in movement, and when you introduce forward and back-weighted stances. At that point I try and keep the following two alignments:

Head over shoulders
Shoulders over hips

The ankles can now be in different places, as reacquired by the stance.

It depends on the style of Tai Chi you do, but if you do a style that advocates a forward lean then you need to make sure that there’s a straight-ish line between your back foot and your head. If you do a style that doesn’t advocate a lean, then your back knee must be bent and you want to keep your body upright with your shoulders vertically over the top of your hips.

But the real answer is that no one style of Tai Chi only does things one way. Most styles contain some moves that lean and some that don’t. Wu style, for example: 

If you compare late Yang Cheng Fu to early Chen Man Ching postures, you can see that they are very similar, and are both trying to keep the head over the shoulders, over the hips:

While doing the tai chi form, take a moment to think: ‘where is my head in relation to my hips?’ You don’t want to be sticking your bottom out and destroying your alignment, which often happens in transition movements between postures:

A picture paints a thousand words, especially in Tai Chi. I recently found an incredible source of Tai Chi images drawn (I think) by Anthony of Brisbane Tai Chi.

Just scroll down the main page and look at the images – they’re great! Full of tips on alignment and posture for Tai Chi and Zhan Zhuang (standing practice).

One of Anthony’s best images for thinking about how alignment relates to the tai chi form is this one:

Anthony/Brisbane Tai Chi

I think that image very clearly shows head over shoulder over hip over ankle, and how easy it is to mess that alignment up once you start moving in Tai Chi. You basically want to keep the blocks aligned over each other.

Why?

As it says in the picture, if you align yourself correctly with gravity then your legs become the primary weight holders in the body. That means you can be more relaxed (Sung) in the upper body, so that you can use it to transfer force, instead of tensing up to hold weight that is misaligned. Plus, it just feels better.

Saoirse Ronan’s viral clip and the debate around women’s safety in the UK

The UK is having a bit of a women’s safety moment right now, and since I’m in the UK and it’s a topic that crosses over into subjects I discuss on my blog, I think I should address it. As well as being about self-defence it’s also about how women and female perspectives are often ignored by a male-focused society. It all relates back to comments made by actress Saoirse Ronan on the Graham Norton Show, a clip of which has gone viral.

You can view the clip here:

She’s sitting on the sofa with fellow actors Denzel Washington, Eddie Redmayne and Paul Mescal. They’re having a lighthearted discussion about training martial arts/self defence for movie roles. While the men laugh and joke about something as ludicrous as thinking about a phone as a weapon of self defence, (can you imagine, lol!?) Ronan points out (she has to try twice to be heard) that this is something women have to think about all the time. The resulting awkward silence speaks louder than anything else.

That this one moment seems to have captured something very familiar to a lot of women – it’s captured men’s ignorance of women’s lived experience in terms of feeling unsafe when moving about in the world and having to think about using things like keys or mobile phones as weapons. Things that men generally don’t have to worry about.

I don’t want to jump on any kind of bandwagon and write an article about how to use a mobile phone as a weapon, because a) you can’t learn self defence from articles! And b) that seems like very opportunistic behaviour.

But what I would say to any women reading this, Brazilian Jiu-Jitsu (BJJ) is a great martial art that will benefit you more in the long run way more than a one-off 2-hour seminar on “self defence for women”. If you really want to feel more confident and less unsafe (of course, there is no guaranteed panacea for this, unfortunately) then I’d recommend starting regular BJJ classes at a BJJ Academy you feel comfortable with, and with an instructor you feel comfortable with (please shop around!), rather than going to a one-off seminar that aims to provide you with a quick fix.

And to the men who might need to become more of women’s lived experience (yes, you at the back!) You might like to read this article from the Guardian, detailing six women’s reactions to the clip, that’s worth a read.

And in the words of the sergeant from Hill Street Blues, “let’s be careful out there”.

Tai Chi and the art of occupying the other’s space

You can think of the Tai Chi form as an exercise in claiming your space. We rarely think of the space we occupy or move around in as part of ourselves, but it is. We often let others take our space, or give it away needlessly. We move out of the way when people walk towards us in the street. Rarely do we stand our ground and own the part of the earth that is directly underneath us.

In tai chi push hands we learn to claim our space, to gently redirect people that want to come into it and also to take away other people’s space if we need to, and not let them get it back. In the tai chi form we learn to round out our movements, so that (as the classics say) there are “no hollows or projections” in tai chi. Your goal is to create a kind of sphere with your body, as if you were inside a giant beach ball. Your hands extend to the limits of the ball, and no further.

Finding your centre

In tai chi there is ‘finding your centre’ within yourself, but there is also ‘finding your centre’ when in contact with another person. When two people are in contact, especially if engaged in some form of conflict, they are rarely both in balance, usually the advantage lies with one person or the other. The one in control is usually the person who has made both people part of their ‘centre’. Viewed from above, they become the centre of the circle, around which the other person is orbiting.

In class today I was working on the ward-off posture. I think by far the best way to think about ward off, as a martial posture, is to think about having just slipped a straight punch over your right shoulder by moving your head and turning your body to your left, you then step diagonally into the space occupied by the other person, right under their armpit using the familiar ‘ward off’ posture to keep them off balance. You need to keep that full, rounded, ‘peng’ aspect to your arms here, and once you have them off balance, you never retreat or give up the ground you’ve taken. If you do then you’re simply giving them their balance back. You need to keep them off balance continually, so that they can’t recover and they end up open to strikes or to being knocked over.

That ability is one reason why, while strikes exist in Tai Chi, they’re not really emphasised in the form. Instead, in the form you’re continually learning how to take ground from the opponent and occupying it while remaining in balance. As a means of self defence, it is highly effective, but not easy to understand without feeling it, which is another reason why so many people are confused about how Tai Chi works as a martial art.


You can train Tai Chi with me in Bath/Bristol, and get better at standing on one leg, twice a week.


Listen to a podcast about this blog post.


Thank you for supporting The Tai Chi Notebook. If you are reading this on a website that isn’t thetaichinotebook.com, then it’s highly likely it’s been stolen. Please let me know so I can issue their webhost a DMCA takedown notice for copyright breach. Thanks. And if you have the great idea of starting a tai chi website by stealing other people’s work to fill it with content for clicks then take a good hard look at yourself, and do better.


Episode 34: The five points of control in Tai Chi

The latest episode of my Tai Chi Notebook podcast is slightly different to a regular episode. There isn’t a guest, but that doesn’t mean I’m entirely alone…

This episode is brought to you using the power of artificial intelligence. I fed a recent blog post about the Five Points of Control into Google’s NotebookLM, an AI that produces a podcast based on your article, just to see what would happen and the result was so good that I decided to put it out as a real episode!

See what you think:

How to do takedowns and throws, in Tai Chi, Xing Yi, Baguazhang or any martial art

I came across an interesting video by Ed Hines of i-Bagua.com recently that discussed some general principles of throws and takedowns. There is some good information here, especially about dead angles, and base. Have a watch:

Of course, in my ear I can hear my BJJ friend saying it’s all nonsense, “why not just do wrestling?”, or “he’s doing zero hand fighting!”. My friend tends to think that everything you can know, or ever want to know, about throwing and standup grappling is already inside wrestling.

He probably has a point, and a lot of the clever ‘internal’ things that Tai Chi teachers demonstrate are really just found in wrestling basics, or are obvious if you do wrestling. But here’s the thing – not everybody wants to do wrestling or even can do wrestling! It’s time-intensive hard, physical work, from which you will probably get injured, and, frankly, it’s for young people, not anybody over the age of 30. Not to mention that you’ll also need to invest in a good quality BJJ mat for grappling training.

If you’re going to approach takedowns without having the time or energy required to learn wrestling, then you’re going to need a softer approach. Oh, hello internal arts.

How to defend everything

I wonder if you’ve ever seen the video “how to defend everything” by Chris Paines on YouTube? (It won’t embed, so I’ve had to link it). It’s about BJJ, not internal arts, and focused ground work, not standing, but those principles he’s expounding, I feel, are universal to all grappling, and they’ve really changed my approach to takedowns. It’s also very simple. Simple is good – simple is practical.

At 50 minutes it’s quite a long video, and some of the important points don’t happen until near the end, so I’ll give you a quick summary: In a nutshell, there are 5 parts of the human body that you need to access in at least one place to achieve a throw or takedown.

Part 1. Back of the head,  
Parts 2-3. Armpits and
Parts 4-5. Back of the knees.

(back of knee area extends down to ankle, armpit area extends down to hip).

When I do takedowns I just keep looking to insert a part of my body (arm/hand/foot/head/whatever) into one of those places. I just keep spamming it as an attack. If you keep doing that then eventually you manage to ‘own’ one of those places and a takedown will sort of present itself, especially if you get more than one.

You can analyse any throw on YouTube and you’ll find that the person who did the throw got some part of their body into at least one of those places to make it happen. Now, that might mean that the model being used is too general (i.e. it covers a lot of the body!), however, I think it’s still a useful model if you want to work on defence (which people rarely do!)

If you’re doing some grappling and you get taken down, then replay what happened in your mind – you will have let your opponent into one of the 5 spaces for too long. Long enough for them to get a takedown on you. The answer to preventing the takedown then becomes about reclaiming control over those 5 points of your body, rather than trying to do some sort of pre-scripted counter to the throw.


N.B. You can look at standing on the foot as a possible exception to these rules, however… that doesn’t tend to work in a pure grappling environment, unless you also get one of the other 5 as well. Standing on a foot and striking somebody however is a different beast – it’s much more effective. It’s the same with standing wrist locks… they can work, but 9 times out of 10 they won’t – i.e. they are very low percentage, and almost certainly don’t work against experienced people. Your time is better spent trying to get one of the 5 control points. (Apologies to Aikido 🙂 )

N.B. 2 – But what about the gi or wrestling jacket? Well, think of it this way, a collar grip is simply a very effective lever to the under armpit area, so when you grip the collar, you are effectively cheating because it’s giving you easy access to their armpit area. It’s why, when we go for chokes we grip deep on the collar, under the ear, but when we go for throws we tend to grip much lower down, so that the lever to the armpit is stronger.

Anyway, some food for thought.

Episode 33: Daoyin and Qigong with Tina Faulkner Elders

My guest for the latest episode of The Tai Chi Notebook Podcast is Tina Faulkner Elders, chief instructor of the RuYi School of Taijiquan and Qigong in Aberdeenshire. We talk about Tina’s training in qigong, first with her father, then in Beijing, China, and then on Wudang mountain itself, the legendary home of Taoism.

Links:

Podcast link

RuYi School of Taijiquan and Qigong

Facebook page

YouTube Channel

Tai Chi basics: Rounding the kwa to make your tai chi form better

Paying attention to your inner thighs can bring better structure and a feeling of power to your tai chi form

If you’ve read my last post about keeping the knees bent during tai chi practice, and most importantly can do your whole tai chi form without violating this principle, then the kwa (inner thigh) is a good thing to focus on next.

Quite often in Zhan Zhuang chi kung standing practice we use the imagery of balloons supporting various parts of the body. You can imagine balloons supporting your arms, under your armpits and that you’re sitting on an imaginary beach ball. Balloons are soft but strong when pressured, so they’re a good image to help with the idea of staying relaxed and that feeling of springy peng (‘bounce’) energy that needs to be in the body during tai chi.

We don’t tend to use the supportive balloons imagery when explaining tai chi because it’s a moving practice, so the imaginary balloons would inevitably float off at some point! But you can still use the imagery in a couple of places – imaging balloons under the armpits and one held between your thighs that is gently pressing the knees outwards is a good place to start.

The kwa needs to be kept open at all times in tai chi practice.

One of the things beginners often fail at in Tai Chi is sufficiently rounding the kwa. By kwa I mean the area of the inner thigh and groin. I’ve been told that this area is more correctly called the dang in Chinese, but kwa/dang/whatever, I mean the arch formed by the inside of the thighs and containing the pelvic floor. As I’ve discussed before, beginners tend to want to straighten their legs, rising everything up in their stance, which has the effect of collapsing this kwa area, so that it effectively closes as the thighs move together.

In tai chi we always want to maintain the feeling that we’re holding a small balloon between the thighs so that this area is always rounded. Of course, there is opening and closing going on in tai chi all the time. As you progress through a move, one side of the kwa is opening and the other is closing, but regardless of any opening and closing movement that is going on, you need to keep a general feeling of openness in the whole area throughout the form. Even in postures where the feet are together. If you stand with your legs together, then that is considered a closed kwa, but in tai chi that area always has the feeling of being open – even when the legs are together.

You might find that last statement confusing, but it’s helpful to remember that in tai chi we are not performing an exact science, but we are dealing with feelings. The feeling of being open is what I’m talking about.

The last thing to mention is the why. Why do you need to do this? That’s where you need a teacher to give a demonstration of the application of tai chi against a simple push. With the kwa rounded you create a good base from which you can receive and launch attacks. When pushed, you can use that base the rounded kwa gives you to receive and then bounce away an attacker. If your kwa collapses when your upper body is pressured then you can’t do this without using a lot of effort and strength in the upper body. In tai chi this is wrong. Using your legs is always a better way.


Thank you for supporting The Tai Chi Notebook. If you are reading this on a website that isn’t thetaichinotebook.com, then it’s highly likely it’s been stolen. Please let me know so I can issue their webhost a DMCA takedown notice for copyright breach. Thanks. And if you have the great idea of starting a tai chi website by stealing other people’s work to fill it with content for clicks then take a good hard look at yourself, and do better.

Standing on one leg, is a great way to improve your balance and add years to your life, and Tai Chi has it baked in from the start

Tai Chi could be the secret to improving your balance and living longer.

Standing on one leg is one of those things that’s supposed to be very good for you, especially as you get older. It’s the sort of thing that you keep hearing studies about. It’s supposed to reduce falls and make you more coordinated. It’s even an indicator of when you will die. People who cannot stand on one leg for 10 seconds are found to be almost twice as likely to die within 10 years.

As the (now late) great Dr Michael Mosley wrote:

“When you attempt the one leg balance, your brain is performing a remarkable amount of coordination. It integrates signals coming from the fluid in your inner ears, visual cues from eyes, and even feedback from your joints and muscles. Signals from your eyes play a big role in maintaining your balance, which helps explain why standing on one leg is significantly harder when you close your eyes. If you can reach 10 seconds with your eyes closed, you’re doing well.” – Michael Mosley.

As you can see, the process of balancing is a lot more complicated than most of us realise. Of course, standing on one leg is also something that we do in Tai Chi a lot, we just don’t make a big deal about it.

‘Separate leg left and right’, from Tai Chi. Photo by Monica Leonardi on Unsplash

Therefore, to hear that a one legged stand has all these extra health benefits is great news, since we’re doing it anyway in our Tai Chi kicks, which are often done slowly, so can take 2-3 seconds to accomplish, all of which is time spent with one leg off the ground.

(That photo, by the way, is a free image from the Unsplash website – and it’s actually very nicely done. A lot of the images on Unsplash that appear for a search on “tai chi” are so bad I can’t use them here, but that one is pretty good. Look at that nice vertical alignment from head to foot down the spine and leg. Perfect!)

I find that balancing on one leg is something that beginner students in Tai Chi really struggle with. They wobble, a lot, but I think it’s just from lack of practice, and as the article says, you can get better at it very quickly. You build new nerve connections and recalibrate your brain, simply by practicing.

As this article by fellow Bath resident and journalist, Joel Snape, explains, having good balance becomes increasingly important as you get older. He also makes the argument for Tai Chi as a great way to improve your balance, and makes the important point that the standing leg needs to be bent:

“Standing on one straight leg isn’t the same as standing on one bent leg,” says Locker, who began practising tai chi with a master who “could throw guys half his age and twice his size around the room”. “When the leg is straight, the skeleton supports the body, not the postural muscles. Older people are commonly advised to practice brushing their teeth standing on one leg to build their balance, but in order to train the postural muscles to support the lower body, you should use one bent leg.” This way, over time, you’ll build not just balance but work capacity. – Joel Snape.

So, it’s important to bend your knee (even if it’s just slightly) when standing on one leg. This is something I notice about beginners in Tai Chi. Whenever the feet come together it’s natural to want to straighten your legs, as if you were doing a Waltz. Learning to keep your feet together and your knees bent is a skill that has to be learned over time, and is much harder to do than you think. As soon as your mind wanders off, your legs will straighten. If you can get good at this, then when it comes to standing on one leg, it will be much easier to keep the standing leg slightly bent at the knee.

You can train Tai Chi with me in Bath/Bristol, and get better at standing on one leg, twice a week.


Thank you for supporting The Tai Chi Notebook. If you are reading this on a website that isn’t thetaichinotebook.com, then it’s highly likely it’s been stolen. Please let me know so I can issue their webhost a DMCA takedown notice for copyright breach. Thanks.