Tai Chi / Taijiquan

Tongue behind the two front teeth

/ Tai Chi Notebook / 3 Comments

If you’ve been doing Tai Chi, meditation or yoga for any length of time you’ll have heard the old adage to ‘put your tongue behind the two front teeth‘. The explanation given for this is usually that it “connects the two meridians that go up the back and down the front of the body called the Ren and Du meridians, creating the micro-cosmic orbit”.

Micro cosmic orbit connected… man. Photo by Elina Fairytale on Pexels.com

From a Chinese medicine or Taoist perspective the perceived wisdom seems to be that “circulation of the Qi/Breath in Ren Mo and Du Mo is a bit like an electrical circuit. The two ends of the vessels must be connected for there to be an uninterrupted flow.”

Personally, I have my doubts about the whole idea of ‘energy’ or Qi ‘flowing’ around the body. I often think it’s really an ancient aberration of the simple idea of forces moving inside the body. In Chinese martial arts there’s a phrase you often hear – rise, drill, overturn, fall, which matches this circuit in the body with a martial technique. The best example of which is Pi Quan from Xing Yi, during which forces in the body (jin) rise up and then come crashing down into a strike.

Strength and balance

However, it’s not just Chinese medicine that recommends this tongue position. I’ve recently discovered that there are a lot of Western sources advocating the same tongue position. For example, Colgate toothpaste has an article about correct tongue position on its website that recommends the exact same thing – the tongue resting on the upper palette behind the two front teeth. The article links to a study in Radiology and Oncology called “Three-dimensional Ultrasound Evaluation of Tongue Posture and Its Impact on Articulation Disorders in Preschool Children with Anterior Open Bite“, which notes that “children with poor tongue posture were reported to have a higher incidence of anterior open bite, a type of malocclusion where the front teeth don’t touch when the mouth is shut. This may be because the tongue puts pressure on the teeth which can shift their position over time.” (Colgate).

In this article from Healthline, Dr. Ron Baise, dentist of 92 Dental in London explains “Your tongue should be touching the roof of your mouth when resting… It should not be touching the bottom of your mouth. The front tip of your tongue should be about half an inch higher than your front teeth.“

While dentists may be aware of the benefits of good tongue position for your teeth and preventing problems with your speech, or mouth breathing from occurring, some exercise enthusiasts are going further and claiming that proper tongue position actually increases your strength and balance, something that is undoubtedly important for martial arts, like Xing Yi.

Pi Quan is said to be like the swinging of an axe. (Photo by Ivan Samkov on Pexels.com)

Now, I’m as aware as the next Tai Chi blogger that cherry picking studies that confirm your beliefs (and presumably ignoring everything that doesn’t) is a bit of a red flag. However, the idea that your tongue position effects strength and balance makes more sense to me than imaginary energy channels (Du/Ren) that may, or may not, exist in real life.

Apparently, good tongue placement can give you superpowers!

I remain slightly skeptical about the whole issue, however, my tongue does naturally rest behind my two front teeth on the upper pallet of my mouth… I can feel it there now as I write this. Was it always there? Or have I turned this into my natural position thanks to starting Tai Chi in my 20s?… I don’t know. All I can say is that it feels comfortable, and if my Ren and Du channels are connecting because of it, and my strength and vision is better because of it then…. so much the better.

How most people get Tai Chi breathing wrong

/ Tai Chi Notebook / Leave a comment

“Stop doing the wrong thing and the right thing does itself.”

– F. Mathias Alexander.

Breathing has become a hot topic these days. There’s Wimm Hoff with his patented breathing methods for overcoming extreme cold all over TV and YouTube, breathing classes have sprung up in every town where you can go to where you spend an hour focusing on your breath (just type in the town you live in an ‘breathing classes’ into Google and I bet you find something), and of course, there still are all sorts breathing methods you can find out there in yoga, tai chi and qigong classes.

Often in Tai Chi we’re told that we should be performing abdominal breathing, or ‘Taoist breathing‘ – so, as you breathe-in the abdomen should expand and as you breathe out, the abdomen should contract*. We equate this abdominal breathing with deep breathing – almost as if the more we can ‘fill’ our abdomen with air, the deeper and better the breathing will be – and think that it therefore must be healthy. (* there is also reverse breathing, but that’s another topic).

Just breathe! (Photo by Spencer Selover on Pexels.com)

How to breathe

I recently started reading the excellent book ‘How to breathe’ by Richard Bennan, which has made me reconsider the way I’ve been approaching breathing in Tai Chi.

Firstly, let’s start with the basics. It’s worth remembering where your lungs are. They are behind the ribs and reach up higher than the collar bones on each side. Look at the picture below and you’ll be surprised by how far up the lungs go. So, when you expand your belly on an in-breath the air isn’t going down into your belly – it all stays in your upper torso. Of course, that might already be obvious to you, but you’d be surprised how many people think their belly is filling with air when they breathe in! It’s not.

Photo by Anna Shvets on Pexels.com

When you practice ‘belly breathing’ what you should be doing is expanding the whole torso on an in-breath, and it’s this expansion of the lungs and the dropping of the diaphragm that pushes the abdomen down and outwards (on all sides, not just the front). If you start to try to use your abdomen muscles to lead the process, or force-ably expand or contract the belly as you breathe in and out then you are just adding tension to the whole process, which is the exact opposite of what you want. There should be as little tension as possible for efficient breathing. Trust the process – it will work on its own.

So, with me now, try an in-breath and focus on the lungs themselves filling up and expanding and this wave of expansion being the motivating force for expanding the belly. It doesn’t really happen in a step by step way either – everything expands at once. So, don’t try to fill one section of the torso, then another, that is also just adding tension. Equally, don’t try and keep the ribs still. They are designed to expand and contract with the lungs. If you try and keep them still, then, you guessed it… You’re just adding more tension.

Once you can visualise where your lungs are, (and how far up they go above the collar bones), then just focus on letting them expand freely, and stop interfering with the breathing process. Less is often more.

You might also like to think about the posture requirements of Tai Chi and what effect these might be having on your breathing. We often hear words like “round the shoulders”, “lift the back” and “hollow the chest” in Tai Chi. Think for a minute about what effect those directions, if followed literally, might be having on your breathing. Do you think they are beneficial or harmful? It’s something to consider anyway.

Breathing should feel amazing. It should feel smooth, natural and healing. And it will, if you stop interfering with it.

* I think reverse breathing is a deliberate hack to the body’s natural way of breathing, but I don’t think people should be attempting it before they’ve got better at breathing in a natural way first. If you are already breathing in an unnatural way, and then you try and add on something else, well, it doesn’t take a genius to realise that you’re headed for long term problems.

Making up your own forms – it’s not as easy as you think

/ Tai Chi Notebook / 4 Comments

I had an interesting comment on my last post that made me think about the whole idea of making up your own forms (or Tao Lu) – in Tai Chi, Xing Yi, or whatever.

I’ve tried to do this over the course of several years and I’ve come to a few conclusions about it, which I’ll elaborate on here. Firstly, it’s hard. Making up new forms is not as easy as you think. But secondly, it depends what martial art you are making up a form in.

Author, performing Xini Yi Chicken (Ji) posture

If your martial art has forms that are constructed like lego bricks that can be slotted together in any order and still seem to work then it’s pretty simple to concoct a new form. Xing Yi is a good example of a martial art that has this quality. I was always told never to call Xing Yi tao lu by the English name “forms” because the correct term was lian huan which means “linking sequence” for this very reason.

The idea, (in our Xing Yi at any rate), is that all the links you learn are just examples, and you need to be constantly moving towards being able to spontaneously vary them as required, and then ultimately spontaneously create them. This idea has become heretical in the modern Xing Yi world to a large extent because modern Xing Yi has lost a lot of this spontaneous feel it used to (I admit that’s a subjective point) have, and things have become set in stone – forms that were once supposed to be fluid and flexible have become fixed and rigid. Forms of famous masters from the past now tend to be fixed forever. When words like “orthodox” start appearing to describe something you know it’s already dead, or on the way to dying.

But of course, anybody can make up a form, but is it any good? That’s a different matter. And it usually depends on the person doing it, not the moves themselves. With Xing Yi animals you can also ask the question – can I see the character of the animal being used coming out through the moves?

With Tai Chi I find it a lot harder to make up a form. Tai Chi’s approach to a form is quite different to Xing Yi, or other Kung Fu styles. The Tai Chi form tends to be a highly crafted piece of work that has been honed to perfection over many years. It is fixed because you need to be able to forget about the moves and concentrate more on what’s inside. It helps to do that if you don’t have to worry about what’s coming next because you’ve done it so many times that you can let go of that part of your brain and let it be aware of other things.

Tai Chi forms tend to start and finish in the same place for this reason. Usually, anyway. While long forms don’t tend to be balanced on left and right, a lot of the more modern, shorter forms make more of an effort to balance left and right movements.

If you understand Tai Chi and how to ‘pull’ or direct the limbs from the dantien movement then, sure you can make up your own Tai Chi forms, however, there is almost zero history of doing this in Tai Chi circles and it’s not really encouraged. I think this is because Tai Chi has push hands, which can be used as a kind of free-form expression of Tai Chi, completely away from the form and in contact with a partner to give you something to respond to, which is the whole strategy of Tai Chi Chuan, at least according to the Tai Chi Classics it is. To ‘give up yourself and follow the other’ you have to be spontaneous. There’s no other choice!

So, to conclude. I think that’s it’s in its application where the spirit of improvisation and spontaneity can be found in Tai Chi, not in the forms. I don’t think Tai Chi is particularly concerned with creating endless variations of forms and patterns like Xing Yi is, at all. Xing Yi, having a weapons starting point, doesn’t use this hands-on feeling and sensitivity to get started with spontaneity. Instead, it likes to create patterns, then vary them endlessly. Of course, you work with a partner when required, but it’s a different approach. Which is all quite natural, as these are two different martial arts, created by entirely different groups of people in a different locations and time periods.

You might like our Heretics history of Tai Chi and Xing Yi for more on that.


Tai Chi on the minute, every minute

/ Tai Chi Notebook / 4 Comments

A friend shared a post recently about an interesting way of exercising called On the Minute, Every Minute. All you need to do is a number of reps of an exercise on the minute, every minute. The suggested start point in the article is 15 push ups, then 20 squats, then 20 plank jacks. That would take 3 minutes, so you just keep going 6 more times, up to 18 minutes. I quite like the idea because it’s simple, and simple is doable.

Photo by Hebert Santos on Pexels.com

Then I started to think how you could apply the same OTMEM method to Tai Chi… Here’s one suggestion: One move every minute then hold until the next minute comes around. I think a short form has around 50-60 moves, so would take roughly an hour to complete like this. It depends what you count as a move. That’s basically an hour of stance training, which would be quite challenging. One for New Year’s Day perhaps? I’m going to give it a go, so let me know in the comments if you are going to join me.

And of course, if you want to push it further you could always up it to every two minutes!

A quick Tai Chi fix anybody can try: Tracking with the eyes

/ Tai Chi Notebook / 1 Comment
FYI: Owls can rotate their necks up to 270 degrees! 

To some Tai Chi people it’s important to know where the eyes are looking when doing a Tai Chi form for slightly esoteric reasons: “your eyes lead your intention and your intention leads your chi.” But I think we can come up with reasons for using the eyes in Tai Chi that require no mention of intention (yi) or chi.

Try this: Sit comfortably. Turn your head slowly to the side, back to the middle then the other side. It’s a typical neck stretching exercise that you’ll find done at the start of your typical Kung Fu, Tai Chi, or Yoga class. It’s good for your neck, but there’s nothing particularly special about it.

Now try this: Instead of just turning your head to the side, actively look to the side. Lead the movement with your eyes looking to the side. Now compare the feeling of doing that to the feeling of just turning your head to the side.

If you’re anything like me you’ll find the experience quite different. When you are looking to the side for a reason your whole body co-ordinates better, not to mention, I think you can turn your head a bit further too. I’m sure there is a scientific word for this purpose driven movement, but I don’t know it.

Think of an owl, when it turns its head to look at something interesting that might potentially be prey – the eyes are always locked in.

When doing the Tai Chi form, try actively looking with your eyes and turning your head in the direction you are going. Hopefully you’ll notice the different in the quality and coordination of your overall movement.

Investing in your neck can be a great way to get better at Tai Chi

/ Tai Chi Notebook / 1 Comment
Photo by Todd Trapani on Pexels.com

The Tai Chi classics talk a lot about keeping your head “as if suspended from above“, and “Head upright to let the shen [spirit of vitality] rise to the top of the head”, but they don’t mention the neck a lot.

Yang Chengfu gives it a brief mention to the neck in his 10 Important Points, but it’s not the focus of his writing: “Don’t use li, or the neck will be stiff and the chi and blood cannot flow through.”

As such, Tai Chi students don’t spend that long paying attention to their neck. I bet if you just started moving your head in a circle right now you’d hear all sorts of crunching and popping noises, right?

For the past few days I’ve been making an effort to work my neck with mobility exercises every morning, and the results have been quite astounding. Now, when I move my head around in a circle there are way less crunching and popping noises than their used to be. In fact, sometimes there are none at all. Secondly, the space between my neck and shoulders is really opening up. I can feel more room there and as such, my Tai Chi form feels quite different, in a good way. There are all sorts of nerve fibres in the brachial plexus, and having them cramped up all the time is not ideal.

I’ve talked about the importance of how you hold your head in a recent post, but I’m learning that correct head placement on its own can only get you so far – you need to invest in some neck exercises if you want to get the most out of your Tai Chi practice.

There are hundreds of different neck exercises, and I think you’re best off finding the ones that feel good to you, because they’re probably the ones you need. The three I’ve settled on are as follows, and should all be done gently *:

  1. Stir the soup – imagine there is a spoon hanging off your chin and resting in a bowl of soup. Move your chin in a circle one way so that the imaginary spoon stirs the soup, then move the other way.
  2. Diagonal Neck stretch – look forward and down to one side towards your armpit. Hang your same side arm over on the other side of your head to add a bit of weight to the stretch. Don’t pull hard downward, just add the weight of the arm. Do both sides.
  3. Reach both hands behind you against your lower back and pull down on the wrist of one arm with the other hand. Turn your head to one side, looking away from the arm you are stretching. Repeat on the other side.

You can, of course, add in others, like circling the head in the vertical plane. Try some neck exercises every morning and feel the difference it makes to your Tai Chi, and life in general.

  • * N.B. This is not medical advice – please consult a doctor before exercising.

Three more articles of mine you might like:

New podcast! Richard Johnson on Chen Style Practical Method

/ Tai Chi Notebook / 4 Comments

This month’s podcast guest is Richard Johnson a long-time student of Joseph Chen of Chen Style Practical Method.

As well as a Tai Chi practitioner and teacher, Richard is a full time movement coach working with athletes, so he brings an appreciation of athletic movement to his views on Tai Chi.

In our discussion Richard delves deeply into the internal workings of the Chen Style Practical Method and we talk a lot some interesting movement principles based around rotation. We also talk about how the Practical Method is different to the Chen Village style of Tai Chi.

Enjoy the podcast. You can get in touch with Richard using his email address ⁠trukinetix at gmail.com⁠

Key details for a good riding horse stance by connecting the upper and lower

/ Tai Chi Notebook / 3 Comments

Chen Man Ching once famously said that he only understood Tai Chi after having a dream in which he had no arms.

It’s a good indication of what you’re looking for in Tai Chi  – which is to “do” everything with the actions of the legs and waist, not the arms. The idea of moving the arms without moving the arms is, of course, contradictory, but that’s the challenge you undertake when you practice Tai Chi.

I found that I didn’t “get” this concept of “no arms” until I really relaxed my lower back and learned to sit correctly in the form. The lower back is the bridge between the upper body and the lower body. If that bridge is not open then goods and services cannot flow between the two different countries.

So, how do we do this in the correct way? I think the key is to be found in how you get into a riding horse posture properly. 

We’re all familiar with the wide-legged riding horse posture. When you start a Tai Chi form you are essentially sitting down into a narrower version of it, but it’s the same kind of stance. 

Let’s formalise what I mean by Riding Horse stance a bit more.

1. Toes point forward. 

2. Knees bent, but not further forward than the toes. 

3. Feet two shoulder widths apart. 

As aways we make sure that our upper body is relaxed (not collapsed) and upright. Just take a moment to focus not he AO joint that I mentioned in my last post, to ensure that your head is in the correct position. Your neck should feel long at the back and the chin slightly tucked at the front, crown going in the upward direction.

Now straighten your legs. This brings you out of a riding horse stance and into a leg triangle stance with straight legs.

We’re going to lower back down into a riding horse, but rather than doing what you normally do, I want you to focus on two things.

1. The knees go forward as they bend.

2. The butt does not move backward as it would if you were going to sit in a chair, but instead you open/relax your lower back so that it sinks downward.

There you go. This should feel like a different sort of riding horse stance to what you’ve normally experienced. That elongated and open feeling in the lower back is what you need to maintain during your Tai Chi form. Without that feeling you cannot connect the upper and lower parts of the body.

Play with it, experiment with it a bit, and then when you’re ready, start your Tai Chi form and as the hands come down and you sink, try and achieve the same feeling.

Then try and keep it for the whole form. If you can do that, then you’ll start to notice that Tai Chi is all about the leg movements, not the arm movements. Your arm movements can start to be directed by the leg and waist movements. 

As it says in the classics:

It is “rooted in the feet,

generated from the legs,

controlled by the waist, and

expressed through the fingers. “

The crucial detail of using the kua and hips in Needle at Sea Bottom

/ Tai Chi Notebook / 5 Comments

There’s a lot of talk in the internal arts about the “kua”, and how using the kua (as opposed to the hip joints) is central to getting the idea of internal movement in Tai Chi.

So, what is the kua?

A definition from Crane Tiger Tai Chi reads:

“Kua refers to the area that extends from the inguinal folds (front of the hip where the leg and body meet) to the crest of the pelvis. It includes the hip joints, the iliopsoas, and adductor muscles as well as the sacrum and the perineum.”

I’ve written about the kua several times myself, but I think Ken Gullette’s book (my review is here) does a great job of describing it. To me, moving the kua is about opening and closing the body in the space inside the hip joints. Integrating the opening and closing of the kua into your movement facilitates power moving smoothly from the legs and feet up through the body, or receiving force in the opposite direction and directing it down towards the ground.

Moving “inside” the hip joints allows for very detailed movement and enables you to create and remove space when interacting with an opponent, which has martial application.

However, I think that the focus on the kua in internal arts often risks people ignoring the pivotal (ha!) role of the hip joints. I think the hip joints are actually more important to get right – if you focus on the kua but never think about your hip joints it’s a bit like building the walls of your house without a firm foundation.

I’ve been reading a great little book called Lighten Up by Mark Josefsberg, which is a humorous description of the Alexander Technique, and only costs £2.50 for the Kindle edition.

It starts off making the great point about the pivotal (ha!) role the hip joint play in actions like sitting, standing, running, walking, bending, etc.. A good point it makes about your hip joints is that they probably aren’t where you think they are. People tend to think that you put your ‘hands on your hips’ that’s where you bend from, when in fact, your hips attach to your legs via a ball and socket joint that is much lower down.

This has real consequences for Tai Chi postures such as “Needle at Sea Bottom”, where you bend forward. If you bend from too high up then you are compromising your spine, and bending from your hip joints is always a bit lower down than you think it is.

Wu Jianquan, Needle at sea bottom

The way I do Need at Sea Bottom is to try and keep my head going “up” away from the spine and bend from the hip joints (where the legs attach to the body) keeping my spine in a straight line. In theory, at least.

I don’t know who this is, but look at this guy doing it:

To me there are all sorts of problems here – he’s rounding his spine, and the head is kinked at an unnatural angle that isn’t an extension of the spine, in an effort to go too low. I’d rather not go as low as he is, and not compromise my spine like that.

The other point that Mark continually makes in the Lighten Up book I mentioned is to be aware of the AO joint – the atlanto-occipital joint. This is where the head meets the neck, and again, it’s not exactly where you think it will be. Put your fingers in your ears and imagine they are touching. Rotate the head up and down from something on a level with that point – that’s roughly where it is. What you’ll find is that you can look up and down without your fingers moving up or down because you are rotating the head around this point. Now apply that principle to Needle at Sea Bottom and you can see how your head position is meant to be.

Here’s a video of my Sifu Raymond Rand doing the movement correctly, with martial application:

New podcast: Discovering Neijiaquan, with Jess O’Brien

/ Tai Chi Notebook / Leave a comment

My guest for this episode is Jess O’Brien, author of the book Neijiaquan and co host of the Neijiaquan podcast, which he runs with Isaac Kamins.

Since 1999, Jess has studied extensively under BK Frantzis. Over the years, he has also trained with other, preeminent internal martial artists like Luo De Xiu. He has been active in martial arts since his teens.

In this episode we discuss what drew Jess to the internal arts and how he trained with various different teachers before becoming a student of Bruce Kumar Frantzis.