It’s hard for me to write an objective review of the book Xing Yi Snake by Glen Board, since (full disclaimer) there are pictures of me in most of it, and I also wrote a chapter at the end about the crossover between Xing Yi Snake and Brazilian JiuJitsu (an art I’ve been training for over 10 years). The author, Glen Board and I are both students of the same Xing Yi teacher, Damon Smith. As well as contribute the final chapter on Snake’s grappling methods, Glen asked me to help him out by appearing in the application pictures for the book, and I happily obliged.
You might be forgiven for wondering, ‘What? Xing Yi Snake and Brazilian Jiujitsu?’ Well, let me point you to this interesting fact – just as Glen’s Snake book was rolling off the printing presses, John Danaher, the Jiujitsu mastermind behind some of the most famous modern day practitioners of BJJ like Gordon Ryan and Garry Tonon, posted this on Instagram:
(Click the little graphic if the image doesn’t appear below)
The timing was simply an interesting co-incidence, but it goes to show that the overall theme of the Xing Yi Snake book – our mutual teacher’s insistence that there is something to learn from studying the actual fighting method of real snakes – is valid even in modern day combat sports. Real snakes are cunning, fearless predators, with two main weapons at their disposal, not only their heavy emphasis on restricting and choking methods, but also their bite, which is often venomous.
Does that mean that this is a book about Xing Yi ground work? No, not at all. 90% of it is about the stand-up fighting methods of Xing Yi Snake. The chapter about BJJ at the end of the book is just an interesting add-on that you can take or leave.
I think it’s fair to say that the style of Xing Yi that Glen and I practice veers away from many modern day interpretations of the art, in that we have been given a heavy emphasis on the 12 Animals, and a great depth of content in each animal. I say “modern day”, but the whole process of moving the Chinese martial arts away from traditional practices (seen as outdated and associated with a past China was embarrassed about) and towards a more scientific and Western approach started after the disastrous Boxer Rebellion ended in 1901 and didn’t really stop throughout the whole 20th century until China ended up under Communist control and we had WuShu gymnastics instead of the rich, smokey traditions of old China, the oldest continuous civilisation on earth, infused with an ancient way of seeing the world and a respect for nature. Respect for nature was bleached out of China’s martial arts and culture at the same time, and was replaced by an authoritarian ideology.
Some lines of Xing Yi have managed to avoid much of this cultural cleansing (especially traditions that fled China) and those have been the lines that our teacher has sought to pursue or uncover through his own research. While the connection to nature and animals has been hidden in much of modern Xing Yi, you can still find it lying there just beneath the surface in the old writings about Xing Yi or in the content of old forms. You can still look at Xing Yi’s 12 animals as a study of actual animal fighting methods (in human terms), and try and find a deeper meaning in the material presented, and if that’s what you’re interested in then Glen’s Xing Yi Snake book will help you along the right path.
In the book Glen presents the two Yin and Yang aspects to the fighting methods of real snakes – the heavy crushing methods of the constrictor, and the quick, light, striking (biting) methods of the vipers – and how to find both in applications based on the movements found in Xing Yi Snake.
There is no shortage of content here! Glen has packed the book with easy-to-follow and practical applications – something that used to be a rarity in Xing Yi books – as well as extensive Linking Sequences for solo practice, a look at the history of Xing Yi, a study of the real snake’s hunting methods, a discussion of fist shapes, power generation methods, weapons, Xing Yi classics, terminology and the strategy of the snake applied to Xing Yi fighting.
In short, there is plenty here to keep you busy. You can easily learn a snake sequence from this book (especially if you are already familiar with Xing Yi), and practice the applications with a training partner. If you do then you’ll be coming back to it time and again to try out new things.
Here are some examples:
On the down side? As has been noted elsewhere, Glen has a habit of mixing Pinyin and Wade Giles romanisation methods freely throughout the book. Some people find this very annoying, but I don’t find it stands in the way of the message the book is trying to convey. I’d also say that this is probably not a book for complete beginners in Xing Yi, since there is very little discussion of the 5 Element Fists, which is where you should start your journey. Having said that, there is still plenty of discussion about the physical principles that make up Xing Yi, including the San Ti Shi standing posture and important details of how to generate power in Xing Yi’s unique way.
If you already have a grasp of the 5 fists and you’re looking to expand your understanding of the Xing Yi animals beyond the one or two moves usually found in most Xing Yi Snake forms then this book is probably a good place to start, and more accessible than Glen’s previous volume on two of the more advanced Xing Yi animals – Tai and Tuo, since Snake is a much easier animal to get a feel for.
So, while I can’t say this review is entirely objective and without bias (since I’m in the book!), I hope it has at least piqued your interest in a work that contains a vast amount of information. I’d say it’s impossible to find this amount of detail and information on just one Xing Yi animal anywhere else and I look forward to the next in the series.
Get it: Xing Yi Snake on Amazon.